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Billy "Uke" Scott (12 March 1923 – 23 November 2004) was a British music hall star, who inspired three generations of ukulele players, composing, singing and writing a "teach-yourself" ukulele manual.
It uses a popular 1861 melody by William Henry Monk, [2] "Eventide", which is used for several hymns in English, notably the 1847 hymn "Abide with Me" by Henry Francis Lyte. The song has three stanzas of four lines each, from the position of one of the disciples. In the first stanza, the singer addresses the "Wandrer durch die Zeit" (wanderer ...
The hymn appears as number 46 in the Seventh-day Adventist Hymnal and number 165 of the hymnbook of The Church of Jesus Christ of Latter-day Saints.. It has also been published in the 1978 Hymns of Praise edited by Reuel Lemmons; the 1971 Songs of the Church and the 1990 Songs of the Church 21st Century Edition both edited by Alton H. Howard; both the 1978 and 1983 Church Gospel Songs and ...
O Thou who changest not, abide with me. Not a brief glance I beg, a passing word, But as Thou dwell'st with Thy disciples, Lord, Familiar, condescending, patient, free. Come not to sojourn, but abide with me. Come not in terror, as the King of kings, But kind and good, with healing in Thy wings; Tears for all woes, a heart for every plea.
The stereo version was released nine months after the mono release, in August 1958. [8] It has been noted that the mixes of these releases are extremely different. The stereo mix, while featuring the same performances as does the mono version, used an entirely different set of microphones, suspended from the ceiling, while the mono release used ...
Abide with Me is a Christian hymn composed by Henry Francis Lyte in 1847. Abide with Me may also refer to: Abide with Me, a 2006 novel by Elizabeth Strout; Abide with Me, a 1935 play by Clare Boothe Luce; A television drama based on A Child in the Forest by Winifred Foley
Ukulele Songs is the second solo studio album by American singer and Pearl Jam frontman Eddie Vedder. It was released on May 31, 2011. [ 1 ] The album is composed of original songs and new arrangements of several standards.
In 2016, a review of 15 of VanderWaal's song covers that she posted on her YouTube channel, praised her arrangements, vocal delivery, musical taste and "the combination of sass, attitude and confidence she brings to every cover". [123] In another 2016 assessment, USA Today characterized VanderWaal's voice as "endearingly croaky". [30]
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