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Drama games, activities and exercises are often used to introduce students to drama. These activities tend to be less intrusive and are highly participatory (e.g. Bang). There are several books that have been written on using drama games. Games for Actors and Non-Actors by Augusto Boal includes writings on his life work as well as hundreds of ...
The dramatistic pentad forms the core structure of dramatism, a method for examining motivations that the renowned literary critic Kenneth Burke developed. Dramatism recommends the use of a metalinguistic approach to stories about human action that investigates the roles and uses of five rhetorical elements common to all narratives, each of which is related to a question.
Process drama does what the character Atticus Finch advocates: the ability to work for social justice comes from the ability to understand another perspective—to be able to try on someone else's shoes and walk around in them for a while. Process drama allows us to "try on" other people's shoes, to walk the paths they tread and to see how the ...
Meisner training is an interdependent series of training exercises that build on one another. The more complex work supports a command of dramatic text.Students work on a series of progressively complex exercises to develop an ability to first improvise, then to access an emotional life, and finally to bring the spontaneity of improvisation and the richness of personal response to textual work ...
Acts and scenes are numbered, with scene numbering resetting to 1 at the start of each subsequent act (e.g., Act 4, Scene 3 might be followed by Act 5, Scene 1). Each scene takes place in a specified location, indicated at the scene's outset in the script (e.g., " Scene 1 .
An "unbroken line" describes the actor's ability to focus attention exclusively on the fictional world of the drama throughout a performance, rather than becoming distracted by the scrutiny of the audience, the presence of a camera crew, or concerns relating to the actor's experience in the real world offstage or outside the world of the drama.
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