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In the Epic Cycle, Antinous (also Antinoüs; Latin: Antinous) or Antinoös (Ancient Greek: Ἀντίνοος, romanized: Antínoös), was the Ithacan son of Eupeithes, best known for his role in Homer's Odyssey.
A characteristic of Homer's style is the use of epithets, as in "rosy-fingered" Dawn or "swift-footed" Achilles.Epithets are used because of the constraints of the dactylic hexameter (i.e., it is convenient to have a stockpile of metrically fitting phrases to add to a name) and because of the oral transmission of the poems; they are mnemonic aids to the singer and the audience alike.
Representation of heroes: The Odyssey's heroes seem to change very little both inwardly and outwardly, even under duress, because they represent rhetorical "types." Like "Achilles' actions by his courage and his pride, and Odysseus' by his versatility and foresightedness," they can be always summed up with a few apt epithets.
According to Bernard Knox, "For the plot of the Odyssey, of course, her decision is the turning point, the move that makes possible the long-predicted triumph of the returning hero". [45] Odysseus' identity is discovered by the housekeeper, Eurycleia, as she is washing his feet and discovers an old scar Odysseus received during a boar hunt ...
The 1954 Broadway musical The Golden Apple, by librettist John Treville Latouche and composer Jerome Moross, was freely adapted from the Iliad and the Odyssey, resetting the action to America's Washington state in the years after the Spanish–American War, with events inspired by the Iliad in Act One and events inspired by the Odyssey in Act Two.
The Odyssey (/ ˈ ɒ d ɪ s i /; [1] Ancient Greek: Ὀδύσσεια, romanized: Odýsseia) [2] [3] is one of two major ancient Greek epic poems attributed to Homer. It is one of the oldest works of literature still widely read by modern audiences. Like the Iliad, the Odyssey is divided into 24 books.
The epithet άμύμων in Homer is applied to individual heroes, to a hero's tomb [Odyssey xxiv.80], to magical, half-mythical peoples like the Phaeacians and Aethiopians [Iliad x.423] who to the popular imagination are half canonized, to the magic island [Odyssey xii.261] of the god Helios, to the imaginary half-magical Good Old King ...
Odysseus meets his father Laertes on his return to Ithaca (Theodoor van Thulden, 1600). In Greek mythology, Laertes (/ l eɪ ˈ ɜːr t iː z /; Ancient Greek: Λαέρτης, romanized: Laértēs Greek pronunciation: [laː.ér.tɛːs]; also spelled Laërtes) was the king of the Cephallenians, an ethnic group who lived both on the Ionian Islands and on the mainland. [1]