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Literary movements are a way to divide literature into categories of similar philosophical, topical, or aesthetic features, as opposed to divisions by genre or period. Like other categorizations, literary movements provide language for comparing and discussing literary works. These terms are helpful for curricula or anthologies. [1]
The Romantic movement in America created a new literary genre that continues to influence American writers. Novels, short stories, and poems replaced the sermons and manifestos of yore. Romantic literature was personal, intense, and portrayed more emotion than ever seen in neoclassical literature.
The Romantic movement in America created a new literary genre that continues to influence American writers. Novels, short stories, and poems replaced the sermons and manifestos of yore. Romantic literature was personal, intense, and portrayed more emotion than ever seen in neoclassical literature.
The Romantic movement in English literature of the early 19th century has its roots in 18th-century poetry, the Gothic novel and the novel of sensibility. [6] [7] This includes the pre-Romantic graveyard poets from the 1740s, whose works are characterized by gloomy meditations on mortality, "skulls and coffins, epitaphs and worms". [8]
This category covers the cultural movement known as Romanticism, which in broader terms ran from approximately 1770 to 1850. It should not be confused with other uses of the term, for example from music, where the "Romantic" period overlaps, but does not coincide with, the general use of the term.
Important literary works in Spanish Romanticism include Larra's essays (each article published separately until 1836), Don Juan Tenorio by Zorrilla (1844), El Estudiante de Salamanca (1840) and Poesias (1840) by Espronceda, and Rimas y Leyendas by Becquer (1871). Mariano Jose de Larra (essayist) José de Espronceda (poet, tale writer)
The Sturm und Drang was a from 1767 till 1785 literary group, precursor to the Romanticism. Its literature often features a protagonist which is driven by emotion, impulse and other motives that run counter to the enlightenment rationalism.
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