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Title Album details Peak chart positions CAN [3]DEN [4]US [10]Double Deluxe: Released: 1970; Label: Deram; Formats: 2xLP; Japan-only release — — — Alvin Lee and Company
Ten Years After are a British blues rock group, most popular in the late 1960s and early 1970s. Between 1968 and 1973, the band had eight consecutive Top 40 albums on the UK Albums Chart . [ 2 ] In addition, they had twelve albums enter the US Billboard 200 . [ 3 ]
It should only contain pages that are Ten Years After albums or lists of Ten Years After albums, as well as subcategories containing those things (themselves set categories). Topics about Ten Years After albums in general should be placed in relevant topic categories .
Ten Years After is the debut album by English blues rock band Ten Years After.Recorded at Decca Studios in London in September 1967, and released on 27 October 1967, it was one of the first blues rock albums by British musicians.
About Time is an album by the blues rock band Ten Years After, released in 1989. [2] [3] It was the final studio album featuring Alvin Lee, their singer and most prominent songwriter since the band's formation. It was their first studio release in fifteen years (since Positive Vibrations, in 1974). [4] About Time peaked at number 120 on the US ...
Watt is the fifth studio album by the English blues rock band Ten Years After, released in 1970. It was recorded in September 1970 except for the last track, a cover of Chuck Berry 's " Sweet Little Sixteen ", which is a recording from the 1970 Isle of Wight Festival .
Undead is a live album by Ten Years After, recorded at the small jazz club Klooks Kleek in London on 14 May 1968, and released in July of that year. The show combined blues, boogie and jazz playing that merged more traditional rock and roll with 1950s-style jump blues.
Stonedhenge features seven songs written by Alvin Lee, along with a song each from bass guitarist Leo Lyons, keyboardist Chick Churchill and drummer Ric Lee. [11] According to Beat Instrumental, it is a more of an experimental album than the group's earlier work, deploying "a lot of trickery and studio effects combined with fairly untypical Ten Years After material". [10]