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Early Christian art and architecture (or Paleochristian art) is the art produced by Christians, or under Christian patronage, from the earliest period of Christianity to, depending on the definition, sometime between 260 and 525. In practice, identifiably Christian art only survives from the 2nd century onwards. [1] After 550, Christian art is classified as Byzantine, or according to region ...
Art History. Sub-discipline. Byzantine. Institutions. University of California, Los Angeles, Ludwig Maximilian University, Harvard University. Ioli Kalavrezou is Dumbarton Oaks Professor of Byzantine Art at Harvard University. Her research focuses on early Christian and Byzantine art.
The Byzantine Empire was a monarchy, and as in many other monarchies, the royal system allowed for women to participate in politics as monarchs in their own name or as regents in place of a husband or son. Many royal women are known to have participated in politics during the centuries. Among them were female monarchs like Pulcheria, Irene of ...
The Byzantines inherited the Early Christian distrust of monumental sculpture in religious art, and produced only reliefs, of which very few survivals are anything like life-size, in sharp contrast to the medieval art of the West, where monumental sculpture revived from Carolingian art onwards.
Very few early images of the Virgin Mary survive, though the depiction of the Madonna has roots in ancient pictorial and sculptural traditions that informed the earliest Christian communities throughout Europe, Northern Africa and the Middle East. Important to Italian tradition are Byzantine icons, especially those created in Constantinople (Istanbul), the capital of the longest, enduring ...
Annunciation in Christian art. The Virgin shrinks back in reluctance in the Annunciation with Sts. Margaret and Ansanus, by Simone Martini and Lippo Memmi, 1333. The Annunciation has been one of the most frequent subjects of Christian art. [1][2] Depictions of the Annunciation go back to early Christianity, with the Priscilla catacomb in Rome ...
The Virgin of Vladimir, also known as Vladimir Mother of God, Our Lady of Vladimir[1] (Russian: Владимирская икона Божией Матери[a]), is a 12th-century Byzantine icon depicting the Virgin and Child and an early example of the Eleusa iconographic type. It is one of the most culturally significant and celebrated pieces of art in Russian history. Many consider it a ...
James is known as a keen promoter of all areas of Byzantine art and Byzantine culture. She has particular interests in mosaics and in gender issues. She has written extensively on mosaics, discussing practical, iconographic and materialistic approaches to the subject. She has also established a database of Byzantine glass mosaics. [6] In the field of gender, she has discussed Byzantine ...
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