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A flamenco guitar is a guitar similar to a classical guitar, but with lower action, [1] thinner tops and less internal bracing. It usually has nylon strings, like the classical guitar, but it generally possesses a livelier, more gritty sound compared to the classical guitar. [2] It is used in toque, the guitar-playing part of the art of flamenco.
Michael Laucke (born 29 January 1947) is a Canadian classical, new flamenco, and flamenco guitarist, and a music industry entrepreneur. This page is dedicated to CDs, films and atonal works written for, dedicated to and recorded by Laucke.
Felipe and Mariano Conde (sons of Mariano Conde Sr.) manufactured flamenco guitars in their workshop at Felipe V St. nº 2 in Madrid close to the Teatro Real (Royal Theatre) and the Palacio Real (Royal Palace). They were known as "Conde Hermanos Sucesores Sobrinos de Esteso" (Conde Brothers - Esteso's Nephews Successors)
Michael Laucke (/ ˈ l ɑː k /; 29 January 1947 – 2 December 2021) was a Canadian classical, new flamenco and flamenco guitarist and composer. Starting at the age of thirteen, Laucke gave professional snooker demonstrations and his winnings allowed him to take trips from Montreal to New York City to study the classical guitar with Rolando Valdés-Blain.
The classical guitar, also known as Spanish guitar, [1] is a member of the guitar family used in classical music and other styles. An acoustic wooden string instrument with strings made of gut or nylon , it is a precursor of the modern steel-string acoustic and electric guitars , both of which use metal strings .
Roni Benise, is an American guitarist who describes his style as "Spanish guitar" or "nouveau flamenco." After growing up on a small farm near Ravenna, Nebraska, Benise moved to Los Angeles, California, to pursue rock stardom. After hearing flamenco music on the radio, he switched from electric guitar to nylon-stringed classical guitar. [1]
In one of these performances at the Persian Room, Escudero tripped on someone´s foot, falling on top of his guitar, smashing it beyond repair. Escudero got up, went back stage, got a replacement guitar, and returned to complete the show to a standing ovation. [35] In 1956, Escudero made four records: "Mario Escudero and his flamenco guitar" [36]
Esteso concentrated almost exclusively on building flamenco-style guitars, and his instruments are world-renowned for their physical lightness, yet very strong volume and sound-projection. A crack-free and unmolested example can cost several tens of thousands, either Euros or $.
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