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Upon examination, the mask revealed marks that proved the origin of the mask, along with evidence that the mask was used in Native American ceremonies. The mask, presented as an eagle or thunderbird, was meant to portray an animal to human transformation. [5] Burke Museum in Seattle, Washington displayed the original transformation mask as part ...
Iroquois oral history tells the beginning of the False Face tradition. According to the accounts, the Creator Shöñgwaia'dihsum ('our creator' in Onondaga), blessed with healing powers in response to his love of living things, encountered a stranger, referred to in Onondaga as Ethiso:da' ('our grandfather') or Hado'ih (IPA:), and challenged him in a competition to see who could move a mountain.
Native American motifs are incorporated into the headdresses and feather designs of Mardi Gras Indian regalia. [p] The Mardi Gras Indians take inspiration from Native American resistance and their fight against white U.S. cavalry soldiers. [163] Some Mardi Gras Indians report that they call on the spirit of Sauk leader Black Hawk for peace and ...
Archaeological masks have been found from early Paleo-Eskimo and from early Dorset culture period. [2] It is believed that these masks served several functions, including being in rituals representing animals in personalized form; [14] being used by shaman (medicine man or angakkuq) in ceremonies relating to spirits (as in the case of a wooden mask from southwestern Alaska); [15] it is also ...
In the past, Western art historians have considered use of Western art media or exhibiting in international art arena as criteria for "modern" Native American art history. [47] Native American art history is a new and highly contested academic discipline, and these Eurocentric benchmarks are followed less and less today.
Transformation masks were worn ceremonially, used by dancers and represented or illustrated the connection between various spirits. The masks usually depicted an animal transforming into another animal or a spiritual or mythical being. Masks were representations of the souls of the mask owner's family waiting in the afterlife to be reborn.
Some masks are decorated with feathers and "hair", usually represented by animal fur or strips of cedar bark. The following are a select few important types of masks: Dancers with hamatsa masks, photo by Edward S. Curtis, 1914 Namgis (Native American). Thunderbird Transformation Mask, 19th century.
Totem poles, a type of Northwest Coast art. Northwest Coast art is the term commonly applied to a style of art created primarily by artists from Tlingit, Haida, Heiltsuk, Nuxalk, Tsimshian, Kwakwaka'wakw, Nuu-chah-nulth and other First Nations and Native American tribes of the Northwest Coast of North America, from pre-European-contact times up to the present.
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