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Conrad Oberon Johnson (November 15, 1915 – February 3, 2008) [1] was an American music educator, long associated with the city of Houston, who was inducted into the Texas Bandmasters Hall of Fame in 2000. Born in Victoria, Texas, Conrad Johnson was nine when his family moved to Houston.
Kashmere High School is located in a predominantly black neighborhood known as Kashmere Gardens in Houston, Texas.Music teacher Conrad O. Johnson attended an Otis Redding concert in 1967 and was inspired to translate the style of the concert into a program he could sustain at the high school in order to create opportunities for his student musicians, and thus the Kashmere Stage Band was born.
According to Sheri Linden of the Los Angeles Times, "Though [the film] sometimes overplays the sentimentality, [it] gets not just the music but also the sense of possibility for this post-civil-rights generation". [10] Nathan Rabin of The A.V. Club criticized the filmmakers for not being "interested in peering beneath the dazzling surface ...
Chris and Conrad came together as a rock duo in 2007 after being introduced to one another as solo artists and potential co-writers. At the time, they were both being managed by Jeff Adams of 2:20 Entertainment Group. Chris and Conrad soon joined and after writing a collection of songs together, Adams pitched them to a number of labels in ...
It hit No. 1 for four weeks in 1942 as an instrumental recorded by Benny Goodman and his orchestra. [ 2 ] [ 3 ] It also charted that same year by Jimmy Dorsey (No. 9) and Shep Fields (No. 15). Versions of "Jersey Bounce" were performed by Glenn Miller , Harry James , Red Norvo , Jan Savitt , Ella Fitzgerald , Ella Mae Morse , and The King Sisters .
Fletcher Henderson and His Orchestra recorded it in 1931 in the Trumbauer-Beiderbecke version. Trumbauer played with Whiteman for eight of the following nine years. He had a separate contract with OKeh from 1927 through 1930, he recorded some of the small group jazz recordings of the era, usually including Beiderbecke until the April 30, 1929 ...
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Mary Lou Williams came in as pianist at the last moment, but she impressed Brunswick's Dave Kapp, so she became a member of the band. [5] After their first recordings in 1929–1930, they grew popular as they epitomized the Kansas City jazz sound. In mid-1936, he was signed to Decca and made scores of popular records until 1946. [3]