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The Philippines is known to have the first hip-hop music scene in Asia, emerging in the early 1980s, largely due to the country's historical connections with the United States where hip-hop originated. Rap music released in the Philippines has appeared in different languages such as Tagalog, Chavacano, Cebuano, Ilocano, and English.
Some of the original meanings in "Filipinas" have been lost in translation; for example, "hija del sol de oriente" (Daughter of the orient (eastern) sun) in the original Spanish version became "child of the sun returning" in the Philippine Hymn and "perlas ng silanganan" (pearl of the orient) in the present (official) version. [12]
Background music (British English: piped music) is a mode of musical performance in which the music is not intended to be a primary focus of potential listeners, but its content, character, and volume level are deliberately chosen to affect behavioral and emotional responses in humans such as concentration, relaxation, distraction, and excitement.
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Cinderella's initial line-up consisted of Snaffu Rigor (vocals and drums), Sunny Ilacad (keyboard), Bob Guzman (guitars and vocal back-up), Celso Llarina (rhythm guitar and vocal back-up), Gig Ilacad (bass guitar), Cecile Colayco (lead vocals), and Violy Estrellado (back-up vocals).
With the runup to Christmas being a big season for tire sales, Arnold bet that music could draw people into Goodyear's then 60,000 retail outlets. Arnold pitched the idea that buyers would be ...
Folk music musical instruments. The music of the Philippines' many Indigenous peoples are associated with the various occasions that shape life in indigenous communities, including day-to-day activities as well as major life-events, which typically include "birth, initiation and graduation ceremonies; courtship and marriage; death and funeral rites; hunting, fishing, planting and harvest ...
In the early 1970s, Pinoy music or Pinoy pop emerged, often sung in Tagalog. It was a mix of rock, folk and ballads making political use of music similar to early hip hop but transcending class. [2] The music was a "conscious attempt to create a Filipino national and popular culture" and it often reflected social realities and problems. [2]