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These can be horizontal or vertical, open with spaces or closed repetitive lines. The design is sometimes interpreted as the arms of warriors caught in haka (fierce rhythmic dance) action. The niho taniwha (taniwha tooth) pattern is a notched-tooth design found on all types of objects, mats, woven panels, belts, and clothing. The poutama is a ...
An example of the twine weave pattern from a blanket in the collection of the Simon Fraser University Museum of Archaeology and Ethnology. Twining is a type of weave and its modification double twined and two and three strand twining are used in many of the finest pieces of Salish weaving. The design produced is similar on both sides of the web.
Coco Chanel is credited with popularizing cardigans for women because "she hated how tight-necked men's sweaters messed up her hair when she pulled them over her head." [ 7 ] The garment is mostly associated with the college culture of the Roaring Twenties and early 1930s, being also popular throughout the 1950s, 1970s, 1990s, 2000s and into ...
The actual work of weaving was done by both men and women. [40] Women were often weavers since it was a way they could contribute to the household income while staying at home. [41] Women would usually weave simpler designs within the household while men would be in charge of the weaving of more intricate and complex pieces of clothing. [42]
The number of holes in the tablets used is a limiting factor on the complexity of the pattern woven. The corners of the tablets are typically rounded to prevent catching as they are rotated during weaving. In the past, weavers made tablets from bark, wood, bone, [10] [11] horn, stone, leather, [9] metal [12] or a variety of
When knit wales cross, a cable is formed. Cables patterns tend to draw the fabric together, making it denser and less elastic; [5] Aran sweaters are a common form of knitted cabling. [6] Arbitrarily complex braid patterns can be done in cable knitting. In lace knitting, a pattern is formed by making small, stable holes in the fabric.
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