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The song was written around 1923 and first recorded in 1926. In English it is also known as the Spanish Gypsy Dance. [1] Its main refrain (eight bars of arpeggiated chords that go from E major to F major (with added 4 instead of 5) to G major and back) is arguably the best known snippet of Spanish music and is popular worldwide. [citation needed]
Following is a list of popular music songs which feature a chord progression commonly known as Andalusian cadences. Items in the list are sorted alphabetically by the band or artist 's name. Songs which are familiar to listeners through more than one version (by different artists) are mentioned by the earliest version known to contain ...
The Raphael song "Tema de Amor" was performed in the 1968 Argentinian film Digan lo que digan (Let Them Talk) and it used this song as the melody with lyrics. The Dutch Duo de Koning recorded the song as ‘Ave Maria klinkt zacht door de nacht’ probably in 1968. This piece was the melody for the 1970 Françoise Hardy song "San Salvador".
Song Artist(s) Reference January 4 "Motivos de un sentimiento" Joaquín Sabina: January 11 "Uno más uno son siete" Fran Perea: January 18 "The Unnamed Feeling" Metallica: January 25 February 1 February 8 "Bulería" David Bisbal: February 15 "Fuente de energía" Estopa: February 22 February 29 March 7 March 14 "Amazing" George Michael: March 21
Cuando calienta el sol" (meaning When the sun heats (or warms) up) is a popular Spanish language song originally composed as "Cuando calienta el sol en Masachapa", Masachapa being a coastal town in Nicaragua. The music was written by Rafael Gaston Perez, a Nicaraguan songwriter and bandleader.
Malagueñas (Spanish pronunciation: [malaˈɣeɲas]) is one of the traditional styles of Andalusian music , derived from earlier types of fandango from the area of Málaga, classified among the Cantes de Levante. Originally a folk-song type, it became a flamenco style in the 19th century.
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La Paloma", "The Dove" in English, is a popular Spanish song that has been produced and reinterpreted in diverse cultures, settings, arrangements, and recordings over the last 140 years. The song was written by the Spanish Basque composer Sebastián Iradier (later Yradier) around 1860 after a visit to Cuba.