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A prominent example was the music of games and demos on Commodore 64's SID chip, which only had three oscillators (see also Chiptune). This technique was highly popular amongst European video game music composers for systems in the 1980s like the NES, with many transferring their knowledge from their days of composing with the Commodore 64. [3]
English: Music and lyrics of the song "Good Morning to All", with third verse "Happy Birthday to You", printed in 1912 in Beginners book of Songs with instructions unauthorized publication, which do not credit Hill’s 1893 melody.
The bass pattern is an arpeggiation in the sense that its middle note (V) first arises as the fifth of the elaborated chord (I), of which it is the upper-fifth divider. [3] It is only when it meets with the passing note of the fundamental line that V becomes an independent chord within the first one. [ 4 ]
The fundamental line (German: Urlinie) is the melodic aspect of the Fundamental structure , "a stepwise descent from one of the triad notes to the tonic" with the bass arpeggiation being the harmonic aspect. [3] The fundamental line fills in the spaces created by the descending arpeggiation of the tonic triad.
Style brisé (French: "broken style") is a general term for irregular arpeggiated texture in instrumental music of the Baroque period. It is commonly used in discussion of music for lute, keyboard instruments, or the viol. The original French term, in use around 1700, is style luthé ("lute style").
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Free Composition, Example 4. Fundamental line in relation to the tonic triad. The possible primary tones are shown as whole notes: , or . The minimal fundamental structure. Primary tone: . Play ⓘ. In Schenkerian analysis, the primary tone or head tone (German: Kopfton) is the starting tone of the fundamental line. The fundamental line itself ...
Some would have played a "full-voiced" (thicker) style, for example (Exs. 8, 11) [86] [87] or an embellished style (Ex. 10). [88] No real Baroque-era musician could have managed the diversity of styles and idioms that flourished in different lands and at different times in the period, [ 26 ] concerning which specific knowledge is patchy. [ 89 ]