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African wax prints, Dutch wax prints [1] [2] or Ankara, [3] are a type of common material for clothing in West Africa. They were introduced to West Africans by Dutch merchants during the 19th century, who took inspiration from native Indonesian batik designs. [4] They began to adapt their designs and colours to suit the tastes of the African ...
Ankara is also known as Dutch wax, African wax, or African print. There are Yoruba made Ankara cloth. Ankara can have various themes and symbols printed on it, such as flowers, animals, stars, or abstract shapes. Eya / Lace: a delicate fabric made from yarn or thread that is looped, twisted, or knotted to create intricate patterns. Lace can be ...
Folk costume, traditional dress, traditional attire or folk attire, is clothing associated with a particular ethnic group, nation or region, and is an expression of cultural, religious or national identity. If the clothing is that of an ethnic group, it may also be called ethnic clothing or ethnic dress.
Traditionally, they wear a white shirt contrasting with brightly striped fabric. [2] The Gele is a traditional Yoruba woman's head wrapping made of firm material. It may be worn as a fashionable accessory on formal occasions but can also be a daily wear. [2] The gele is peered with Iro ati Buba, Komole dress or Asoebi dresses by Yoruba women.
For example, many countries in West Africa have a "distinct regional dress styles that are the products of long-standing textile crafts in weaving, dyeing, and printing", but these traditions are still able to coexist with western styles. [citation needed] A large contrast in African fashion is between rural and urban societies. Urban societies ...
The now trademark dashiki design was born from the "Angelina print", a wax print pattern by Dutch designer Toon van de Mannaker for Netherlands-based Vlisco, whose designs are "inspired by Africa". [ 3 ] [ 4 ] The exact inspiration for the Angelina print pattern was traditional silk embroidered tunics worn by Ethiopian women.
The choice of the colour used in the making of the design for different Aso-Oke is a reflection of aspects of the beliefs and life of the Yoruba people and is usually passed down from one generation to another within family lines. The patterns represent forms of non-verbal communication with each design telling a story.
More elaborate dress reflects social power and prestige. In performances honoring ancestors, exquisite cloth is the major medium for the masker's transformation. An Egungun costume is composed of multiple layers of cloth lappets made from expensive and prestigious textiles, expressing the wealth and status of a family as well as the power of ...
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