Search results
Results from the WOW.Com Content Network
Herein will be included those authors that are mentioned as being art critics or producing art criticism in works of reference, as are encyclopedias, dictionaries or scholarly reviews. According to one authority, art criticism, in a close approximation to the current sociocultural framework of the activity, started in the 18th century CE in ...
Art criticism is the discussion or evaluation of visual art. [1] [2] [3] Art critics usually criticize art in the context of aesthetics or the theory of beauty. [2] [3] A goal of art criticism is the pursuit of a rational basis for art appreciation [1] [2] [3] but it is questionable whether such criticism can transcend prevailing socio ...
Jahn became the Art Consultant to the German Embassy in Vienna in 1937, where he would then search for, purchase, and collect individual pieces of Hitler's art, allegedly in order to destroy a majority of the paintings. Jahn sold one of the largest collections of Hitler's art, about 18 pieces, with an average selling price of $50,000. [13]
100 Great Paintings is a British television series broadcast in 1980 on BBC Two, devised by Edwin Mullins. [1] He chose 20 thematic groups, such as war, the Adoration, the language of colour, the hunt, and bathing, picking five paintings from each. [2]
Eljer Co. Highest Quality Two-Fired Vitreous China Catalogue 1918 Bedfordshire No. 700. Marcel Duchamp had arrived in the United States less than two years prior to the creation of Fountain and had become involved with Francis Picabia, Man Ray, and Beatrice Wood (amongst others) in the creation of an anti-rational, anti-art, proto-Dada cultural movement in New York City.
Robert Studley Forrest Hughes AO (28 July 1938 – 6 August 2012) was one of the most notable Australian-born art critics, writer, and producer of television documentaries. He was described in 1997 by Robert Boynton of The New York Times as "the most famous art critic in the world." [1] [2]
The Guernica tapestry was the showcase piece for the grand reopening of the Whitechapel Gallery. It was located in the 'Guernica room' which was originally part of the old Whitechapel Library. [64] In 2012 the tapestry was on loan from the Rockefeller family to the San Antonio Museum of Art in San Antonio, Texas. [65]
Millet's The Gleaners was preceded by a vertical painting of the image in 1854 and an etching in 1855. Millet unveiled The Gleaners at the Salon in 1857. It immediately drew negative criticism from the middle and upper classes, who viewed the topic with suspicion: one art critic, speaking for other Parisians, perceived in it an alarming intimation of "the scaffolds of 1793."