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In 1603, England and Scotland were joined in a "personal union" when King James VI of Scotland succeeded to the throne of England as King James I. War between the two states largely ceased, although the Wars of the Three Kingdoms in the 17th century, and the Jacobite risings of the 18th century, are sometimes characterised as Anglo-Scottish ...
A 15th-century illustration showing an English herald approaching a troop of Scottish soldiers. The Anglo-Scottish Wars comprise the various battles which continued to be fought between the Kingdom of England and the Kingdom of Scotland from the time of the Wars of Independence in the early 14th century through to the latter years of the 16th century.
Kingdom of England. Civil War, Victory of James VI Imprisonment of Mary before her flight to England; Bishops' Wars (1639–1640) Location: Scottish Lowlands Signing of the National Covenant in Greyfriars Kirkyard, Edinburgh, prompting a religious civil war and rebellion in Scotland: Scottish Royalists. Kingdom of England. Scottish Covenanters
1 August – the patriotic song "Rule, Britannia!", with words by Scottish-born poet James Thomson, is first performed at Cliveden, the English country home of Frederick, Prince of Wales. [ 2 ] See also
The Battle of Culloden and the consequent imprisonment and execution of the Jacobite prisoners of war is depicted in the song "Tam kde teče řeka Fleet" ("Where the Fleet river flows") by the Czech Celtic Rock band Hakka Muggies. [78] The Argentine band Sumo made a song, "Crua Chan ", chronicling the
1 August – "Rule, Britannia!" is first performed in an open-air performance at Cliveden, the country home of Frederick, Prince of Wales [4] as part of the masque Alfred with music by Thomas Arne to a lyric by Scottish-born poet James Thomson; the original tenor soloist is probably Thomas Salway.
Angus and Zara Gordon Lennox brought this eight-acre Scottish plot back to glorious bounty. Here's how to visit Gordon Castle Garden.
Oswald's Curious Collection of Scottish Songs (1740) was one of the first to include Gaelic tunes alongside Lowland ones, setting a fashion common by the middle of the century and helping to create a unified Scottish musical identity. However, with changing fashions there was a decline in the publication of collections of specifically Scottish ...