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The Liberty of the Clink was an area in Southwark, on the south bank of the River Thames, opposite the City of London.Although situated in Surrey the liberty was exempt from the jurisdiction of the county's sheriff and was under the jurisdiction of the Bishop of Winchester who was usually either the Chancellor or Treasurer of the King.
The Clink was a prison in Southwark, England, which operated from the 12th century until 1780. The prison served the Liberty of the Clink , a local manor area owned by the Bishop of Winchester rather than by the reigning monarch.
The term "liberty" was also used in England for a demarcated area in the vicinity of a prison in which convicts could live upon regular payment of fees. Examples include the Liberty of the Fleet in the City, and the Rules of the Bench in Southwark.
The Marshalsea (1373–1842) was a notorious prison in Southwark, just south of the River Thames.Although it housed a variety of prisoners—including men accused of crimes at sea and political figures charged with sedition—it became known, in particular, for its incarceration of the poorest of London's debtors. [1]
Magna Carta Cotton MS. Augustus II. 106, one of four surviving exemplifications of the 1215 text Created 1215 ; 810 years ago (1215) Location Two at the British Library ; one each in Lincoln Castle and in Salisbury Cathedral Author(s) John, King of England His barons Stephen Langton, Archbishop of Canterbury Purpose Peace treaty Full text Magna Carta at Wikisource Part of the Politics series ...
He famously concluded his call to arms: “Give me liberty, or give me death.” Patriots embraced Henry’s dramatic refrain, and rallying militia members sewed it into their hunting shirts.
The term is used for works of fiction which combine the literary devices of metafiction with historical fiction.Works regarded as historiographic metafiction are also distinguished by frequent allusions to other artistic, historical and literary texts (i.e., intertextuality) in order to show the extent to which works of both literature and historiography are dependent on the history of discourse.
From ancient history to the modern day, the clitoris has been discredited, dismissed and deleted -- and women's pleasure has often been left out of the conversation entirely. Now, an underground art movement led by artist Sophia Wallace is emerging across the globe to challenge the lies, question the myths and rewrite the rules around sex and the female body.