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The hammered dulcimer (also called the hammer dulcimer) is a percussion-stringed instrument which consists of strings typically stretched over a trapezoidal resonant sound board. The hammered dulcimer is set before the musician, who in more traditional styles may sit cross-legged on the floor, or in a more modern style may stand or sit at a ...
The Indian santoor instrument is a trapezoid-shaped hammered dulcimer, and a variation of the Iranian santur. [1] The instrument is generally made of walnut and has 25 bridges. Each bridge has 4 strings, making for a total of 100 strings. It is a traditional instrument in Jammu and Kashmir, and dates back to ancient times.
Paul Gifford and Karl-Heinz Schickhaus have researched the salterio in 18th century Italy; there are instruments with up to eight strings per course (i.e. 8 strings tuned to the same note and played all together, like a 12-string guitar or the middle and upper notes of a piano), made in places like Venice, Florence, Brescia, Milan, and Triente [citation needed], and signed by ten different makers.
This page was last edited on 6 February 2025, at 11:20 (UTC).; Text is available under the Creative Commons Attribution-ShareAlike 4.0 License; additional terms may apply.
A type of Hammer dulcimer Yangqin: China Pitched Chordophone Type of hammered dulcimer. Yuka: Congo Unpitched Membranophone Made from a hollowed out avocado trunk with a leather membrane. Zabumba: Brazil Unpitched 211.212.1 Membranophone Zatula: Ukraine Unpitched 112.2 Idiophone Zill: Asia, Saudi Arabia, Turkey Unpitched 111.142 Idiophone
In the Appalachian region of the U.S. in the nineteenth century, hammered dulcimers were rare. There, the word dulcimer, which was familiar from the King James Version of the Bible, was used to refer to a three or four stringed fretted instrument, generally played on the lap by strumming. Variants include: The original Appalachian dulcimer
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