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Aletheia or Alethia (/ æ l ɪ ˈ θ aɪ. ə /; [1] Ancient Greek: ἀλήθεια) is truth or disclosure in philosophy.Originating in Ancient Greek philosophy, the term was explicitly used for the first time in the history of philosophy by Parmenides in his poem On Nature, in which he contrasts it with doxa (opinion).
Anagnorisis (/ ˌ æ n ə ɡ ˈ n ɒr ɪ s ɪ s /; Ancient Greek: ἀναγνώρισις) is a moment in a play or other work when a character makes a critical discovery.Anagnorisis originally meant recognition in its Greek context, not only of a person but also of what that person stood for.
The word rhei (ρέι, cf. rheology) is the Greek word for "to stream"; according to Plato's Cratylus, it is related to the etymology of Rhea. πάντοτε ζητεῖν τὴν ἀλήθειαν pántote zeteῖn tḕn alḗtheian "ever seeking the truth" — Diogenes Laërtius, Lives of Eminent Philosophers [26] — a characteristic of ...
Antinomy (Ancient Greek: antí 'against' + nómos 'law') refers to a real or apparent mutual incompatibility of two notions. [1] It is a term used in logic and epistemology, particularly in the philosophy of Immanuel Kant. There are many examples of antinomy.
The same changes affected the English pronunciation of Greek, which thus became further removed from both Ancient Greek and from the Greek that was pronounced in other western countries. A further peculiarity of the English pronunciation of Ancient Greek occurred as a result of the work of Isaac Vossius. He maintained in an anonymously ...
The Dictionary of Standard Modern Greek [1] (Greek: Λεξικό της κοινής Νεοελληνικής) is a monolingual dictionary of Modern Greek published by the Institute of Modern Greek Studies (Manolis Triantafyllidis Foundation) [2] (named after Manolis Triantafyllidis), at the Aristotle University of Thessaloniki in 1998.
Antiphrasis is the rhetorical device of saying the opposite of what is actually meant in such a way that it is obvious what the true intention is. [1]Some authors treat and use antiphrasis just as irony, euphemism or litotes.
Plato's early dialogues are often called his 'aporetic' (Greek: ἀπορητικός) dialogues, because they typically end in aporia.In such a dialogue, Socrates questions his interlocutor about the nature or definition of a concept, e.g., virtue or courage.