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American English has always shown a marked tendency to use nouns as verbs. [13] Examples of verbed nouns are interview, advocate, vacuum, lobby, pressure, rear-end, transition, feature, profile, spearhead, skyrocket, showcase, service (as a car), corner, torch, exit (as in "exit the lobby"), factor (in mathematics), gun ("shoot"), author (which disappeared in English around 1630 and was ...
[not verified in body] [4] [page range too broad] English borrowed many words from Old Norse, the North Germanic language of the Vikings, [5] and later from Norman French, the Romance language of the Normans, which descends from Latin. Estimates of native words derived from Old English range up to 33%, [6] with the rest made up of outside ...
Castle Gwynn was featured in Taylor Swift's music video for "Love Story". [21] Castle La Crosse (La Crosse, Wisconsin) designed for Lumber Baron N.B. Holway in 1892. This imposing limestone building incorporates Richardson Romanesque with Queen Anne elements.The main residence contains 40+ rooms over 5 floors, 17,000 square feet.
It was not until the 1890s that Native American music began to enter the American establishment. At the time, the first pan-tribal cultural elements, such as powwows, were being established, and composers like Edward MacDowell and Henry Franklin Belknap Gilbert used Native themes in their compositions.
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The tono humano (secular song) was one of the main genres of 17th Century Spanish and Portuguese music. [1]The term tonadas is also used for tonos humanos in 17th Century musical literature but the 17th Century tonada is to be distinguished from the modern folk tonada song in Chile or for guitar band in Argentina.
This is a list of chaconnes composed in the 17th century. Included are all pieces of 17th-century music, or clearly marked off sections of pieces, labeled "chaconne" (or some variant of that word) by their composers, that have been found by contributors to this article among the works of musicians, musicologists, and music historians.
Late in the century composers such as Isidore de Lara, Delius and Dame Ethel Smyth, owing to the difficulties of getting serious English operas staged at home, caused in part by the popularity of light opera, turned to the Continent to seek their fortune, with De Lara becoming very popular in France and in Italy (his opera Messaline being the ...