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Monasteries in this area were historically founded mainly by kings, bishops and nobles.There were a number of reasons individuals might found a monastery, largely self-serving ones: to reserve a burial there, which came with perpetual prayers by the monks on behalf of the founder's soul, sheltering a princess, widow, unmarried or bastard, in the case of kings.
Ultimately, the desamortización led to the vacating of most of the ancient monasteries in Spain, which had been occupied by the various convent orders for centuries. Some of the expropriations were reversed in subsequent decades, as happened at Santo Domingo de Silos , but these re-establishments were relatively few.
The dissolution of the monasteries enforced by the government of Mendizábal in 1835 put an end to the abbey, and the abandoned buildings fell into decay. In 1954 the Cistercian ( Trappist ) monks of Viaceli Abbey in Cóbreces , west of Santander , began reconstruction, having already refounded and restored Huerta Abbey in 1929, and were able ...
West façade of the Convento de San Esteban, built between 1524-1610. The Portico of the convent. The Convento de San Esteban is a Dominican monastery of Plateresque style, situated in the Plaza del Concilio de Trento (Square of the Council of Trent) in Salamanca, Castile and León, Spain.
The monastery was designated a National Monument in 1931. Today (2011) the monastery has 17 nuns, led by the current Abbess, María del Mar Martínez Lopez, O.Cist., who was elected on 28 December 2002. They have built a modern cloister, which was inaugurated on 22 June 2007, with the support of the regional government.
Towards the end of the decade of the martyrs, Eulogius's martyrology begins to record the closing of Christian monasteries and convents, which to Muslim eyes had proved to be a hotbed of disruptive fanaticism rather than a legitimate response against a slow but systematic elimination of Christianity.
Santa María la Real is a monastery in the small town of Nájera in the La Rioja community, Spain. Originally a royal foundation, it was ceded by Alfonso VI to the Cluniac order. It was an important pilgrimage stop on the Camino de Santiago. It is particularly well known for the woodwork in the choir of the church.
Blair Sanderson suggests that a seminary in the Spanish city of Logroño invited the monks to record a vinyl album of chant in order to popularize it among churchgoers, and that most of the music was recorded around 1980, while there is a greater proportion of music recorded in the 1970s in the follow-up album Chant II.