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The canto declares usury is both contrary to the laws of nature and inimical to the production of good art and culture. Pound later came to see this canto as a key central point in the poem. Canto XLVI presents the dark heart of usury, i.e. the procedures whereby money is created in liberal institutions such as the Bank of England. In Pound's ...
This is a list of persons, places, events, etc. that feature in Ezra Pound's The Cantos, a long, incomplete poem in 120 sections, each of which is a canto.It is a book-length work written between 1915 and 1962, widely considered to present formidable difficulties to the reader.
His parents were Carlos Ary dos Santos and Maria Bárbara de Castro Pereira. His mother died when he was only 13 years old, something which made a deep impression on him. [1] [5] When he was only 15, his family published a book of his poetry, Asas, against his will. In 1954, some of his poems were selected for Almeida Garrett Prize Anthology.
Ezra Weston Loomis Pound (30 October 1885 – 1 November 1972) was an American poet and critic, a major figure in the early modernist poetry movement, and a collaborator in Fascist Italy and the Salò Republic during World War II. His works include Ripostes (1912), Hugh Selwyn Mauberley (1920), and his 800-page epic poem The Cantos (c. 1917 ...
The word canto is derived from the Italian word for "song" or "singing", which comes from the Latin cantus, "song", from the infinitive verb canere, "to sing". [1] [2]In Old Saxon poetry, Old English poetry, and Middle English poetry, the term fitt was sometimes used to denote a section of a long narrative poem, and that term is sometimes used in modern scholarship of this material instead of ...
A model attribution edit summary is Content in this edit is translated from the existing Spanish Wikipedia article at [[:es:José Carlos Cataño]]; see its history for attribution. You may also add the template {{Translated|es|José Carlos Cataño}} to the talk page. For more guidance, see Wikipedia:Translation.
José Santos Chocano Gastañodi (May 14, 1875 – December 13, 1934), more commonly known by his pseudonym "El Cantor de América" (Spanish pronunciation:), was a Peruvian poet, writer and diplomat, whose work was widely praised across Europe and Latin America.
Canto a la tierra: unison chorus, two horns, two trumpets, two trombones, and tuba; also a version for unison chorus and orchestra; also a version for unison chorus and piano 1947: La hija de Cólquide, symphonic suite from the ballet: orchestra 1947: Toccata for orchestra (incidental music for a scene in Don Quijote de la Mancha by Cervantes)