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Barbara Mary Crampton Pym FRSL (2 June 1913 – 11 January 1980) was an English novelist. In the 1950s she published a series of social comedies, of which the best known are Excellent Women (1952) and A Glass of Blessings (1958).
Pages in category "Novels by Barbara Pym" The following 15 pages are in this category, out of 15 total. ... Template:Barbara Pym This page was last ...
Barbara Pym often resorted to various kinds of intertextuality in order to give her novels added depth and relevance. In the case of A Glass of Blessings, the title is taken from a line in George Herbert’s poem "The Pulley", which is quoted and commented on in this novel’s final chapter. In the poem, when God first made man and, "having a ...
Barbara Pym originally outlined the novel in one of her notebooks, where it is headed "A full life", the phrase on which the book's eventual final chapter closes. Another partial draft was begun in February 1949, this time headed "No life of one's own", which relates to Mildred's reflections on how others perceive spinsterhood. There is also a ...
After Pym's death, her literary executors were her sister, Hilary Pym, and her good friend and fellow novelist Hazel Holt. They aimed to release much of Pym's unpublished material. This included three complete novels, An Unsuitable Attachment, Crampton Hodnet and An Academic Question. Pym's notebooks and diaries were published in 1984.
Pym started to write Some Tame Gazelle in 1934, shortly after completing her studies at St Hilda's College, Oxford. The novel was rejected by several publishers, including Jonathan Cape and Gollancz. [2] Cape expressed interest in Pym's writing, however, and encouraged her to make some alterations to the text and consider re-submitting. [3]
Reviews of A Few Green Leaves were more mixed than its immediate predecessors, Quartet in Autumn and The Sweet Dove Died, which had been successful.The New York Times regarded the novel as equal to anything Pym had previously written [11] and Penelope Fitzgerald - reviewing for the London Review of Books - found it to be the work of a "brilliant comic writer". [12]
As Pym had predicted, some long-standing Pym readers were disappointed by the less overtly comic tone of the book, compared with her earlier novels. However, it is generally recognised as one of her best-constructed and most mature works. [18] Mason Cooley has described it as "the most brilliant success of Barbara Pym's career". [19]
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