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Much of Carl Sandburg's poetry, such as "Chicago", focused on Chicago, Illinois, where he spent time as a reporter for the Chicago Daily News and The Day Book. His most famous description of the city is as "Hog Butcher for the World/Tool Maker, Stacker of Wheat/Player with Railroads and the Nation's Freight Handler,/Stormy, Husky, Brawling ...
The People, Yes is a book-length poem written by Carl Sandburg and published in 1936. The 300 page work is thoroughly interspersed with references to American culture, phrases, and stories (such as the legend of Paul Bunyan).
Chicago Poems established Sandburg as a major figure in contemporary literature. [5] Chicago Poems , and its follow-up volumes of verse, Cornhuskers (1918) and Smoke and Steel (1920) represent Sandburg's attempts to found an American version of social realism, writing expansive verse in praise of American agriculture and industry.
Demon Copperhead is a 2022 novel by Barbara Kingsolver. It was a co-recipient of the 2023 Pulitzer Prize for Fiction , and won the 2023 Women's Prize for Fiction . Kingsolver was inspired by the Charles Dickens novel David Copperfield .
I am astounded at the completely inadequate discussion of CS' poetry under "Works." The only full-length book mentioned is a collection of children's poems so minor in the poet's oeuvre that some scholars don't even include it - where works of major influence like Chicago Poems and The People, Yes! are not even mentioned.
Poetry’s unnat’ral; no man ever talked poetry ‘cept a beadle on boxin’ day, or Warren’s blackin’ or Rowland’s oil, or some o’ them low fellows; never you let yourself down to talk poetry, my boy. ”
Carl Sandburg, his wife, and two daughters had their ashes buried under "Remembrance Rock", the 5-foot granite boulder whose name was the source for the novel's title, [4] in the backyard of Sandburg's birthplace and boyhood home.
The "Rootabaga" stories were born of Sandburg's desire for "American fairy tales" to match American childhood. He felt that the European stories involving royalty and knights were inappropriate, and so set his stories in a fictionalized American Midwest called "the Rootabaga country" with fairy-tale concepts such as corn fairies mixed with farms, trains, sidewalks, and skyscrapers.