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Albatross (instrumental) Alley Cat (song) Amen, Brother; L'amour est bleu; And the Address; Anji (instrumental) Apache (instrumental) Applejack (song) Apples and Bananas (instrumental) Asia Minor (instrumental) At the Sign of the Swingin' Cymbal; Atlantis (instrumental)
Songs of Experience (David Axelrod album) Sorcerer (Miles Davis album) The Spirit of '67 (Oliver Nelson and Pee Wee Russell album) Spring (Tony Williams album) Steel Guitar Jazz; Strictly Instrumental (Doc Watson, Lester Flatt and Earl Scruggs album)
The positions of all songs are based on week-end sale totals, from Sunday to Saturday, [4] but pre-1987 the charts were released on a Tuesday because of the need for manual calculation. [5] Since inception there have been more than 1,400 number ones; of these, instrumental tracks have topped the chart on 30 occasions for a total of 96 weeks.
A significant portion of Zappa's discography consists of instrumental works, but many of these could be classified as modern classical or avant-garde music rather than rock. "Peaches en Regalia" (Hot Rats, 1969) "Eat That Question" (The Grand Wazoo) Sleep Dirt (1979 - reissues of this album featured overdubbed vocals on several tracks)
It was the second instrumental single to hit number one in 1962 on both the US and UK weekly charts. [note 1] Later in 1962, Meek produced a vocal version, "Magic Star", sung by Kenny Hollywood. It was released as a single by Decca Records (cat. nr F11546), with "The Wonderful Story of Love" on the B-side, written by Geoff Goddard.
Surfin' Guitars: Instrumental Surf Bands of the Sixties is a book by Robert J. Dalley which covers the instrumental side of the surf genre in the 1960s and looks at groups and artists from that era. It has been published three times with the first version published in 1988 and the third in 2015.
Later Routers recordings were also written by Gordon, [9] including the songs "A-ooga" and "Big Band". Their recordings continued to be issued up to 1964 but with less commercial success, and involved Gordon (guitar) [ citation needed ] , Leon Russell ( piano ) and Hal Blaine (drums).
The 9:37 song, the fourth and final track of the album, was Rush's first entirely instrumental piece. The multi-part piece was inspired by a dream guitarist Alex Lifeson had, and the music in these sections correspond to the occurrences in his dream. The opening segment was played on a nylon-string classical guitar.