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Đám cưới chuột (Rat's wedding), a popular example of Đông Hồ painting. Ðông Hồ painting (Vietnamese: Tranh Đông Hồ or Tranh làng Hồ), full name Đông Hồ folk woodcut painting (Tranh khắc gỗ dân gian Đông Hồ) is a line of Vietnamese folk painting originating in Đông Hồ village (Song Hồ commune, Thuận Thành District, Bắc Ninh Province).
The origin of Kim Hoàng painting was dated back to the 18th century during the reign of the Lê dynasty.The pictures were made in the Kim Hoàng village, now in Hoài Đức (), [3] which was one of the few place where folk paintings were made in Vietnam during the dynastic time, along with Hàng Trống, Đông Hồ and Sình village. [4]
The origin of Hàng Trống painting dates back to the 16th century during the reign of the Lê dynasty.Different from the countryside Đông Hồ, the manufacturing area of Hang Trong painting is located in the Tiêu Túc (later changed to Thuận Mỹ) district in the very heart of Hanoi which is now the quarter between Hàng Trống, Hàng Nón, Hàng Hòm and Hàng Quạt streets.
' gourd crab fish tiger '; also Bầu cua tôm cá or Lắc bầu cua) is a Vietnamese gambling game using three dice. [ 1 ] [ 2 ] The game is often played at Vietnamese New Year . Instead of showing one to six pips, the sides of the dice have pictures of a fish ; a prawn ; a crab ; a cock ; a calabash ; and a stag (or a tiger ).
Phan Bội Châu (Vietnamese: [faːn ɓôjˀ cəw]; 26 December 1867 – 29 October 1940), born Phan Văn San, courtesy name Hải Thụ (later changed to Sào Nam), was a pioneer of 20th century Vietnamese nationalism.
Ngọc Vân was born on December 15, 1906 (although some sources record his birth in 1908) in Xuan Cau village, Van Giang district, Hung Yen province. Ngọc Vân was born as a poor boy and skipped school during his third year in high school to follow his dream of becoming an artist.
Hồ Quý Ly was born in 1336 at Đại Lại village, Vĩnh Ninh district, Ái Châu, Thanh Đô town with aristocracy's standing. His birth name was Lê Quý Ly (黎季犛), courtesy name Lý Nguyên (理元) or Nhất Nguyên (一元), as he was adopted by Lê Huan, after whom he took the family name.
The upper floor is dedicated to the three monarchs who contributed most to the foundation of the temple and the academy: Lý Thánh Tông (1023–1072), who founded the temple in 1070, Lý Nhân Tông (1066–1127), who founded the Imperial Academy, and Lê Thánh Tông (1442–1497), who ordered the erection of the turtle stone stelae of ...