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The origins of the shepherd's leap may date back to the Guanches, the aboriginal inhabitants of the islands prior to the Castilian conquest period of the early 15th century. Canarian shepherds required a specialised means of transporting themselves safely across ravines and down steep embankments, and settled on the use of long wooden poles ...
Download as PDF; Printable version; ... Spanish ballet dancers (2 C, 1 P) ... This page was last edited on 12 April 2024, at 20:06 ...
An acro dancer performing a straddle split leap. A split leap or split jump is a sequence of body movements in which a person assumes a split position after leaping or jumping from the floor, respectively, while still in the air. Split leaps and split jumps are both found in various genres of dance including acro, ballet and jazz dance, and in ...
Gonzalo Garcia is a Spanish American ballet dancer. He joined the San Francisco Ballet in 1998, and was promoted to principal in 2002, at age 22. In 2007, he left the company and joined the New York City Ballet. He retired from performing in 2022 and remains in the company as a repertory director.
Download as PDF; Printable version; In other projects ... Pages in category "Spanish male ballet dancers" The following 19 pages are in this category, out of 19 total ...
Download as PDF; Printable version; In other projects ... Help. Pages in category "Spanish ballerinas" The following 23 pages are in this category, out of 23 total ...
De Luz at the Ravello Festival in the Bournonville version of La Sylphide, as James, in 2013. Joaquín De Luz [1] (born 1976, Madrid, Spain) [2] is a Spanish ballet dancer. He was formerly [3] with the American Ballet Theatre (ABT), and a principal dancer with the New York City Ballet [4] (NYCB).
In 1986, Spanish director Carlos Saura directed El amor brujo based on the ballet, starring and choreographed by Antonio Gades. It was the third in his trilogy of dance films, following Bodas de sangre (Blood Wedding) and Carmen. The film filled out the story with spoken dialogue, but nevertheless used the entire score of the ballet, along with ...