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Psalm 119 is one of about a dozen alphabetic acrostic poems in the Bible. Its 176 verses are divided into twenty-two stanzas, one stanza for each letter of the Hebrew alphabet; within each stanza, each of the eight verses begins (in Hebrew) with that letter. [18] The name of God (Yahweh/Jehovah) appears twenty-four times.
It was also published in Thomas Ollive Mabbott's definitive Collected Works of Edgar Allan Poe in 1969 as "An Acrostic". The poem mentions "Endymion", possibly referring to an 1818 poem by John Keats with that name. The "L. E. L." in the third line may be Letitia Elizabeth Landon, an
An 1850 acrostic by Nathaniel Dearborn, the first letter of each line spelling the name "JENNY LIND". An acrostic is a poem or other word composition in which the first letter (or syllable, or word) of each new line (or paragraph, or other recurring feature in the text) spells out a word, message or the alphabet. [1]
Nursery rhymes and the less well-known skipping-rope rhymes are the most common form of accentual verse in the English language. [2] acrostic A poem or other form of writing in which the first letter, syllable, or word of each line, paragraph, or other recurring feature in the text spells out a word or a message.
In the second (1856) edition, Whitman used the title "Poem of Walt Whitman, an American," which was shortened to "Walt Whitman" for the third (1860) edition. [1] The poem was divided into fifty-two numbered sections for the fourth (1867) edition and finally took on the title "Song of Myself" in the last edition (1891–2). [1]
The collection is made up of five sections: a preface by Reni Eddo-Lodge, an introduction by Sara Ahmed, 13 essays, 17 poems, and a Note on the Text. As the Note on the Text states, many of the essays in the collection were given as papers at conferences across the U.S. The essays were all previously published in Lorde's 1984 book Sister ...
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The psalm, attributed to David, has the form of an acrostic Hebrew poem. The psalm forms a regular part of Jewish, Catholic, Lutheran, Anglican and Nonconformist Protestant liturgies. Metrical hymns in English and German were derived from the psalm, such as "Zu dir, o Gott, erheben wir". The psalm has often been set to music.