Search results
Results from the WOW.Com Content Network
Filipino women artists started contributing to Philippine art when the Philippines was still a colonial province of Spain (1521–1898). [1] They have continued to participate as art creators after World War II through modern times by either following the traditional way of making art or by departing from such tradition by embracing modernism ...
Women in Philippine art is the many forms of art in the Philippines that utilizes women in the Philippines and even women from other parts of the world as the main subject depending on the purpose of the Filipino artist. The portrayal of women in the visual arts depend on the context on how Philippine society perceives women and their roles in ...
Chapter II, Section 3h of the Indigenous Peoples' Rights Act of 1997 defines "indigenous peoples" (IPs) and "indigenous cultural communities" (ICCs) as: . A group of people or homogenous societies identified by self-ascription and ascription by others, who have continuously lived as organized community on communally bounded and defined territory, and who have, under claims of ownership since ...
The arts in the Philippines reflect a range of artistic influences on the country's culture, including indigenous art. Philippine art consists of two branches: traditional [1] and non-traditional art. [2] Each branch is divided into categories and subcategories.
Protest art against the Marcos dictatorship in the Philippines pertains to artists' depictions and critical responses to social and political issues during the presidency of Ferdinand Marcos. Individual artists as well as art groups expressed their opposition to the Marcos regime through various forms of visual art, such as paintings, murals ...
Yanktonai Dakota artist Oscar Howe started a rebellion against “gatekeepers” wanting to keep Native art in a slim “cultural” lane. He sparked change.
Wooden rice spoons with sacred carved images of bulul representing deities or ancestral spirits are traditional among the Ifugao people. Despite the animistic carvings, they are everyday utensils used for eating rice or soups or serving rice wine. Today, they are commonly sold as souvenirs to tourists. [21]
Cheryl Suzack and Shari M. Huhndorf argue in Indigenous Women and Feminism: Politics, Activism and Culture that: "Although Indigenous feminism is a nascent field of scholarly inquiry, it has arisen from histories of women's activism and culture that have aimed to combat gender discrimination, secure social justice for Indigenous women, and ...