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Panchamukha (Sanskrit: पञ्चमुख, romanized: Pañcamukha, lit. 'five faces'), also rendered Panchamukhi, is a concept in Hindu iconography, in which a deity is represented with five heads. [1] Several Hindu deities are depicted with five faces in their iconography, such as Hanuman, Shiva, Brahma, Ganesha, and Gayatri. [2]
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Other famed Shiva-related texts influenced Hatha Yoga, integrated monistic (Advaita Vedanta) ideas with Yoga philosophy and inspired the theoretical development of Indian classical dance. These include the Shiva Sutras, the Shiva Samhita, and those by the scholars of Kashmir Shaivism such as the 10th-century scholar Abhinavagupta.
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Ardhanarishvara conveys that Shiva and Shakti are one and the same, an interpretation also declared in inscriptions found along with Ardhanarishvara images in Java and the eastern Malay Archipelago. [ 3 ] [ 9 ] The Vishnudharmottara Purana also emphasizes the identity and sameness of the male Purusha and female Prakriti, manifested in the image ...
One of the most striking features of Indian classical dance and dances of Thailand, [1] Cambodia, Laos, Myanmar and the Malay world is the use of hand gestures. Speaking in dance via gestures in order to convey outer events or things visually is what mudras do. To convey inner feelings, two classifications of mudras (hand or finger gesture) are ...
The dance of Shiva in Tillai, the traditional name for Chidambaram, forms the motif for all the depictions of Shiva as Nataraja. [41] [42] [43] He is also known as Sabesan, which means "The lord who dances on the dais". The form is present in most Shiva temples in South India, and is the main deity in the famous temple at Chidambaram. [44]
The kikli dance form is a dance of young girls. The girls hold each other's hand crosswise and rotate swiftly on their toes. The Bhangra is a male dance which originated in the Punjab and is also performed in some areas of Una. The dance forms of the trans-Himalayan region differs in content and music. The old tradition of both song and dance ...