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Fury in the Slaughterhouse was supposed to be a mainstream rock band, which differed significantly from the punk-electronic influenced Neue Deutsche Welle movement sung in German, so all song lyrics were written in English. In 1988 the band played sold-out concerts and their first albums made it into the top 50 of the German album charts.
The Dance of Death (1493) by Michael Wolgemut, from the Nuremberg Chronicle of Hartmann Schedel. The Danse Macabre (/ d ɑː n s m ə ˈ k ɑː b (r ə)/; French pronunciation: [dɑ̃s ma.kabʁ]), also called the Dance of Death, is an artistic genre of allegory from the Late Middle Ages on the universality of death.
Dark Divine is the fourth studio album by American metalcore band Like Moths to Flames. The album was released on November 3, 2017, through Rise Records and was produced by Erik Ron. It is the band's first release with rhythm guitarist Zach Pishney. It is also the last album to feature Greg Diamond as drummer and the last to be released on this ...
AllMusic reviewer Tom Demalon called the song "a dark, brooding cut with a hypnotic guitar line" and noted the bleak nature of the lyrics. Demalon said Kai Wingenfelder lacked much range, but called the song the band's best melody. [1] "Every Generation" is Fury in the Slaughterhouse's most popular and successful single.
Dancing with the Dead is the fourth studio album by the Swedish industrial metal project Pain. It was released in March 2005 via Stockholm Records and managed to reach No. 3 on the Swedish album charts, higher than any Pain album to date. [1] It features the single "Same Old Song", which reached No. 18 on the Swedish charts. [1]
Dance with the Dead was formed by two friends Justin Pointer and Tony Kim in 2013. [4] The two are originally from Irvine, California , where they had been childhood friends. Over the years they have shifted towards Justin playing the synths while Tony plays electric guitar, although the two may play either while on stage or recording. [ 1 ]
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"Dead!" is a pop-punk song [5] that is three minutes and fifteen seconds long. [4] It is the first proper song in the album after the introductory track "The End." [6] The song begins with a flatlining heart rate monitor, making a transition from the abrupt conclusion of "The End."