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B: Normalized to [0–255] (byte) The color Byzantium is a particular dark tone of purple. It originates in modern times, and, despite its name, it should not be confused with Tyrian purple ( hue rendering ), the color historically used by Roman and Byzantine emperors. The latter, often also referred to as "Tyrian red", is more reddish in hue ...
Byzantine enamel of Empress Zoë from Monomachus crown - early 11th century. The craft of cloisonné enameling is a metal and glass-working tradition practiced in the Byzantine Empire from the 6th to the 12th century AD. The Byzantines perfected an intricate form of vitreous enameling, allowing the illustration of small, detailed, iconographic ...
A Byzantine chain is a metal intricate design used in jewelry that incorporates a rope-like texture and organic textural design. The chains are supple and flexible, and drape well. The origin of the name Byzantine is not known. [1] The chain is a 4 in 1 chain meaning that each link passes through four others. It is a variation on the Box chain ...
Dark Byzantine blue. The dark variation is best described as the color of the Byzantine night sky [citation needed]; it resembles dark blue-grey, Prussian and Navy blue, well attested on frescoes and mosaics. [1] Dark Byzantine blue. Color coordinates. Hex triplet. #2A2F4D.
The Palaeologan Renaissance or Palaiologan Renaissance is the final period in the development of Byzantine art. Coinciding with the reign of the Palaiologoi, the last dynasty to rule the Byzantine Empire (1261–1453), it was an attempt to restore Byzantine self-confidence and cultural prestige after the empire had endured a long period of ...
Roman jewelry. A pair of crotalia earrings from the Roman Empire. Ancient Roman jewelry was characterized by an interest in colored gemstones and glass, in contrast with their Greek predecessors who focused primarily on the production of high-quality metalwork by practiced artisans. [1] Extensive control of Mediterranean territories provided an ...
Tetragrammatic cross Relief with the tetragrammatic cross as imperial arms, in the Istanbul Archaeological Museum. During the Palaiologan period, the insigne of the reigning dynasty, and the closest thing to a Byzantine "national flag", according to Soloviev, was the so-called "tetragrammatic cross", a gold or silver cross with four letters beta "Β" (often interpreted as firesteels) of the ...
Byzantine dress changed considerably over the thousand years of the Empire, but was essentially conservative. Popularly, Byzantine dress remained attached to its classical Greek roots with most changes and different styles being evidenced in the upper strata of Byzantine society always with a touch of the Hellenic environment.
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