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The Panji tales are a cycle of Javanese stories, centred around the legendary prince of the same name (actually a title) from East Java, Indonesia.Along with the Ramayana and Mahabharata, the tales are the basis of various poems, sculpture and painting, dance-drama performances and genres of wayang (shadow puppetry), especially the one known in East and Central Java as wayang gedhog (the ...
Some of his well-known short stories are Manusia Kamar (1988), Penembak Misterius (1993), Saksi Mata (1994), Dilarang Menyanyi di Kamar Mandi (1995), Sebuah Pertanyaan untuk Cinta (1996) and Iblis Tidak Pernah Mati (1999). Seno has been writing fiction since the age of 16 and began working as a journalist when he was 19.
Keong Emas (Javanese and Indonesian for Golden Snail) is a popular Javanese folklore about a princess magically transformed and contained in a golden snail shell. The folklore is a part of the popular Javanese Panji cycle, which tells stories about the prince Panji Asmoro Bangun (also known as Raden Inu Kertapati) and his consort, princess Dewi Sekartaji (also known as Dewi Chandra Kirana).
The earliest instance of silat in graphic novels are found in Indonesian comics of the 1960s which typically featured heroes that were expert martial artists. The titles Si Buta Dari Gua Hantu, Jaka Sembung, Panji Tengkorak and Walet Merah all gave rise to popular films in the 1970s and 80s.
Modern early 20th century printed edition of the Pararaton. The Pararaton (Book of Kings), also known as the Katuturanira Ken Angrok (Story of Ken Angrok), is a 16th-century [1] Javanese historical chronicle [2]: 187 written in Kawi (Old Javanese).
Anak Agung Pandji Tisna. Anak Agung Pandji Tisna (11 February 1908 – 2 June 1978), also known as Anak Agung Nyoman Pandji Tisna, I Gusti Nyoman Pandji Tisna, or just Pandji Tisna, was the 11th descendant of the Pandji Sakti dynasty of Buleleng, Singaraja, which is in the northern part of Bali, Indonesia.
The author of Syair Abdul Muluk is uncertain.Raja Ali Haji, a Buginese-Malay writer based in Riau, is credited by Philippus Pieter Roorda van Eysinga; Raja Ali Haji had declared himself to be the author in a letter to Roorda van Eysinga, which included the manuscript which was later published.
Panakawan (right) accompanied their masters in a traditional wayang wong theater performance in Yogyakarta.September 1923. Panakawan in wayang kulit, from left to right: Bagong, Petruk, Gareng, and Semar.