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Charles Blondin (born Jean François Gravelet, 28 February 1824 – 22 February 1897) was a French tightrope walker and acrobat. He toured the United States and was known for crossing the 1,100 ft (340 m) Niagara Gorge on a tightrope.
E. S. Ariel – translator of the Kural; Charles Baudelaire – produced a famous and immensely influential translation of the works of Edgar Allan Poe; Yves Bonnefoy – noted contemporary translator, particularly of English poetry; Rose Celli – translated English works into French including Not So Quiet by Evadne Price
Charles Blondin carrying Colcord on a tightrope Engraving (c. 1883 of Blondin crossing Niagara with his manager, Harry Colcord, on his back. Harry M. Colcord was the manager of the distinguished stuntman Charles Blondin, most famous for being possibly the first person to go across the Niagara Falls by piggyback on another person, in this case Blondin, on August 17, 1859.
Year [1] Author Title Translated work 2000: Lori Saint-Martin, Paul Gagné: Un parfum de cèdre: Ann-Marie MacDonald, Fall on Your Knees: Jude Des Chênes: L'honneur du guerrier ...
Blondin is a surname of French origin, literally meaning a person with blond hair. It may refer to: Antoine Blondin, French writer; Charles Blondin, French tightrope walker; Denis Blondin, Canadian anthropologist and writer; Ester Blondin, founder of College Marie Anne; Ethel Blondin-Andrew, Canadian politician; Fred Blondin , French singer and ...
The protagonist and his climactic tightrope scene were inspired by tightrope walker Charles Blondin, who performed stunts while crossing the Niagara Gorge. [2] The film's soundtrack was performed by Wiley's band Moving Van Walters and His Truck. Nelson recorded them one day in Richmond, California. [3]
Australian media nicknamed him "the Australian Blondin", [3] a reference to the well-known French tightrope walker Charles Blondin. He entertained his audiences by walking on a tightrope without pole and blindfolded, and even with heavy ladies from the audience who accepted to be carried by him on the rope. [3]
a class of women of ill repute; a fringe group or subculture. Fell out of use in the French language in the 19th century. Frenchmen still use une demi-mondaine to qualify a woman that lives (exclusively or partially) off the commerce of her charms but in a high-life style. double entendre