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J.I. Biegeleisen and Max Arthur Cohn (a co-founder of the Society noted above), writing in 1942 about the origin and development of serigraphy, observed: "Specially noteworthy has been the work of the National Serigraph Society, New York, which has been the source of inspiration, clearing house, and temple of artists and print makers everywhere.
Intaglio (/ ɪ n ˈ t æ l i. oʊ,-ˈ t ɑː l i-/ in-TAL-ee-oh, - TAH-lee-; [1] Italian: [inˈtaʎʎo]) is the family of printing and printmaking techniques in which the image is incised into a surface and the incised line or sunken area holds the ink. [2]
Reduction printing is a name used to describe the process of using one block to print several layers of color on one print. Both woodcuts and linocuts can employ reduction printing. This usually involves cutting a small amount of the block away, and then printing the block many times over on different sheets before washing the block, cutting ...
Screen printing is a printing technique where a mesh is used to transfer ink (or dye) onto a substrate, except in areas made impermeable to the ink by a blocking stencil.A blade or squeegee is moved across the screen in a "flood stroke" to fill the open mesh apertures with ink, and a reverse stroke then causes the screen to touch the substrate momentarily along a line of contact.
Some techniques are performed freehand, without using a printing block, and results can vary considerably from print to print. Kumadori bokashi is used for finer details, such as around eyes, and requires the artist to draw with a brush loaded with ink on a wetted area; as with ichimonji bokashi , the bleeding of the ink into the water creates ...
The printing is from a stone (lithographic limestone) or a metal plate with a smooth surface. It was invented in 1796 by the German author and actor Alois Senefelder and was initially used mostly for musical scores and maps. [3] [4] Lithography can be used to print text or images onto paper or other suitable material. [5]
Drypoint wiping techniques vary slightly from other intaglio techniques. Less pressure is applied to achieve desirable lines, because the burrs forming the image are more fragile than etched or engraved lines, but also because the ink rests on the plate surface, instead of pressed down into indentations.
The vast majority of gravure presses print on rolls (also known as webs) of paper or other substrates, rather than sheets. (Sheetfed gravure is a small, specialty market.) Rotary gravure presses are the fastest and widest presses in operation, printing everything from narrow labels to 12-foot-wide (3.66-meter-wide) rolls of vinyl flooring.
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