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Contradanza (also called contradanza criolla, danza, danza criolla, or habanera) is the Spanish and Spanish-American version of the contradanse, which was an internationally popular style of music and dance in the 18th century, derived from the English country dance and adopted at the court of France.
While "Concheros" is the oldest and most common name for the dance as performed today, other names are used such as Huehuenches, Chichimecas, Aztecas and Mexicas. Some are regional and some are names that have been used more recently to mark how the dance has evolved. [1] [2] The dance emerged shortly after the Spanish conquest of the Aztec ...
Charanga is a type of traditional ensemble that plays Cuban dance music (mostly Danzón, Danzonete, and Cha cha chá) using violin, flute, horns, drums. José Fajardo brought the song "La Pachanga" to New York in the Cuban charanga style. The orquesta, or band, was referred to as charanga, while the accompanying dance was named the pachanga. [2]
It has played an important role in the development of Western music, and has greatly influenced Latin American music. Spanish music is often associated with traditional styles such as flamenco and classical guitar. While these forms of music are common, there are many different traditional musical and dance styles across the regions.
In Veracruz, Mexico, a fandango is a party where people get together to dance, to play and to sing in a community setting. As local musicians perform the Son Jarocho music, people dance "zapateado" atop a large wooden platform known as a Tarima. [12] [13]
During its heyday, the bolero became a popular dance in ballrooms across Spain and was performed by Spanish troupes abroad along with other dances such as the cachucha. Over time, many classical composers wrote pieces inspired in the genre: Frédéric Chopin wrote Boléro solo piano (Op. 19) in 1834, but its rhythms are more that of the polonaise.
It is a "variation of dance music found in Hawaii" [5] which is, at times, played very fast. [6] [7] [3] The "influence on Hawai'i endures to this day in the musical form known as cachi cachi played on the quarto [sic] and derivative of the Puerto Rican jibaro style." [8] Jibaro means farmer in Spanish. [9]
Ramirez' vision for the Ballet Hispánico Company promoted Hispanic culture in American dance. [5] During her 39 years as Artistic Director, she invited 50 choreographers from diverse backgrounds to provide a modern-day interpretation of Spanish-speaking cultures, drawing on the versatility of her dancers in ballet, modern dance, jazz, ethnic and other dance techniques. [6]