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Weather Station (stylized in all caps, Japanese: ウェザーステーション) is the second studio album by Japanese Vocaloid producer Inabakumori. It was released on March 23, 2022, his first release on the major label. [2] The album's cover art was designed by Japanese illustrator Nukunuku Nigirimeshi.
Inabakumori (styled as inabakumori, Japanese: 稲葉曇; born February 25, 1995 [1]) is a Japanese musician, Vocaloid producer and songwriter. His most notable works are Lost Umbrella (ロストアンブレラ) in 2018 and Lagtrain (ラグトレイン) in 2020.
Anticyclone (stylized in all caps, Japanese: アンチサイクロン) is the debut studio album by Japanese Vocaloid producer Inabakumori. It was released on November 17, 2019, and it was eventually released onto streaming platforms on November 11, 2020. [2] The album's cover art was designed by Japanese illustrator Nukunuku Nigirimeshi.
It should only contain pages that are Inabakumori albums or lists of Inabakumori albums, as well as subcategories containing those things (themselves set categories). Topics about Inabakumori albums in general should be placed in relevant topic categories .
Vocaloid (ボーカロイド, Bōkaroido) is a singing voice synthesizer software product. Its signal processing part was developed through a joint research project between Yamaha Corporation and the Music Technology Group in Universitat Pompeu Fabra, Barcelona. [1]
Machine translation, like DeepL or Google Translate, is a useful starting point for translations, but translators must revise errors as necessary and confirm that the translation is accurate, rather than simply copy-pasting machine-translated text into the English Wikipedia.
Iyowa's songs are known for using a lot of dissonance and are often described as emotionally charged. [21] The abrupt jumps in scale and the abundance of dissonance led to his early career to be described as "that sounds like it was written at random, but it is a song and it is mutant". [22]
The "Sakura Sakura" melody has been popular since the Meiji period, and the lyrics in their present form were attached then. [citation needed] The tune uses a pentatonic scale known as the in scale (miyako-bushi pentatonic scale) and is played in quadruple meter and has three parts (ABBAC) which stretch over 14 bars (2 + 4 + 4 + 2 + 2).