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Rotoscoping is an animation technique that animators use to trace over motion picture footage, frame by frame, to produce realistic action. Originally, live-action film images were projected onto a glass panel and traced onto paper. This projection equipment is referred to as a rotoscope, developed by Polish-American animator Max Fleischer. [1]
The Lord of the Rings film trilogy (For the character Gollum, rotoscoping live action shots with keyframe computer animation and motion capture) Sin City; Spaceballs (schwartz-saber effects) Speed Racer (Many of the night race sequences involved rotoscoping the computer generated background scenes for a more non-realistic look)
The film was shot digitally and then animated using interpolated rotoscope, an animation technique in which animators trace over the original footage frame by frame, for use in live-action and animated films, giving the finished result a distinctive animated look. Principal photography began on May 17, 2004, and lasted six weeks.
Huemer redesigned the clown for animation, which reduced Fleischer's dependency on the Rotoscope for fluid animation. He also defined the drawing style with his distinctive inking quality that the series was famous for, but it was the interaction of the live-action sequences with the artist/creator, Max Fleischer, and his pen and ink creations ...
The aesthetic they found appropriate for this was the hand-drawn rotoscope animation, which was preferred in the late 1970s and early 1980s. The drawings were created on the computer, but classically at 12 frames per second, as is usual in rotoscope animation. In this animation technique, artists hand-draw over live-action footage, frame by frame.
Rotoshop is a proprietary graphics editing program created by Bob Sabiston. [1]Rotoshop uses an animation technique called interpolated rotoscoping, which was used in Richard Linklater's films Waking Life and A Scanner Darkly, as well as the Talk to Chuck advertising campaign for Charles Schwab. [2]
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