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When the 1901 exhibition ended, a Councillor urged the Glasgow Corporation (now Glasgow Council) to purchase the organ, stating that without it, "the art gallery would be a body without a soul". Purchase price and installation costs were met from the surplus exhibition proceeds, and the organ was installed in the Centre Hall by Lewis and Co.
A memorandum of agreement between William and Constance and the Corporation of Glasgow was signed in April 1944. Burrell had clear intentions regarding the collection's location, contents and display, and the agreement stated that the collection was to be housed by Glasgow Corporation "in a suitable distinct and separated building" that was to be "within four miles [six kilometres] of Killearn ...
The Kelvingrove Art Gallery and Museum. Glasgow Museums is the group of museums and galleries owned by the City of Glasgow, Scotland. [1] They hold about 1.6 million objects including over 60,000 art works, over 200,000 items in the human history collections, over 21,000 items relating to transport and technology, and over 585,000 natural history specimens. [2]
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Opened in 1996, the Gallery of Modern Art is housed in a neoclassical building in Royal Exchange Square in the heart of Glasgow city centre. Built in 1778 as the townhouse of William Cunninghame of Lainshaw, a wealthy Glasgow Tobacco Lord who made his fortune through the triangular slave trade, [2] the building has undergone a series of different uses.
The aim of the event was to fund a Chair of Scottish History and Literature at the University of Glasgow, with the Exhibition Prospectus quoting the resolution of a March 1909 meeting: "the time had fully arrived when Scottish history should be placed on a differing plane from that which it had hitherto occupied in the education of the rising ...
The Glasgow International Exhibition was the second of 4 international exhibitions held in Glasgow, Scotland during the late 19th and early 20th centuries. The exhibition took place during a period of half-mourning requested by Edward VII [ 1 ] but was still popular and made more than £35000 profit. [ 2 ]
Ann-Margret, widely considered one of the most beautiful starts of the 1960s and 70s, is still a knockout in 2019 at 78 years old.