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"Deportee (Plane Wreck at Los Gatos)" is a protest song with lyrics by Woody Guthrie and music by Martin Hoffman detailing the January 28, 1948 crash of a plane near Los Gatos Canyon, [1] 20 miles (32 km) west of Coalinga in Fresno County, California, United States.
Islands & Shores is the fourth studio album by Swedish band Deportees, released on 19 October 2011 through Deportees AB and Universal Music. Track listing [ edit ]
[50] [h] The standard-tuning implementation of a C7 chord is a second-inversion C7 drop 2 chord, in which the second highest note in a second inversion of the C7 chord is lowered by an octave. [ 50 ] [ 52 ] [ 53 ] Drop-two chords are used for sevenths chords besides the major–minor seventh with dominant function, [ 54 ] which are discussed in ...
Wiped Out! is the second studio album by American rock band The Neighbourhood.It was released on October 30, 2015, through Columbia Records. [2] Production was mostly handled by 4e and Justyn Pilbrow, features production from Benny Blanco, with executive production from The Neighbourhood and Kirk Harding.
The tracks on this album expresses a series of angst-ridden themes based on both the vibe and lyrical content of the songs.Bryan Sammis explained to Coup De Main magazine: "I think that at least in terms of the musical aspect of it, all of us try and get our own emotions out through our instruments, which is not always the easiest thing to do.
The lead single, "Scary Love" [9] was premiered as December 4, 2017's Zane Lowe's World Record [10] and properly released on digital platforms the next day. [11] To promote the track, the band performed it at The Late Late Show with James Corden on February 20, 2018 [12] and premiered its official music video starring Tommy Wiseau the album's release day, on March 9, 2018.
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The vi chord before the IV chord in this progression (creating I–vi–IV–V–I) is used as a means to prolong the tonic chord, as the vi or submediant chord is commonly used as a substitute for the tonic chord, and to ease the voice leading of the bass line: in a I–vi–IV–V–I progression (without any chordal inversions) the bass ...
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