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A report commissioned in 2012 by the London music organisation Sound Connections, working in partnership with UK Music, the UK government's Department for Culture, Media & Sport (DCMS) and the UK's Music Industries Association found access to a rehearsal space is an integral part of the career development of young musicians and music ensembles.
In the mid-20th century, recordings were analog, made on 1 ⁄ 4-inch or 1 ⁄ 2-inch magnetic tape, or, more rarely, on 35 mm magnetic film, with multitrack recording reaching 8 tracks in the 1950s, 16 in 1968, and 32 in the 1970s. The commonest such tape is the 2-inch analog, capable of containing up to 24 individual tracks.
The studio was created by Joe Gottfried and Tom Skeeter, who wanted to start a record company and get into artist management. After a rough start, Skeeter and Gottfried purchased a custom state-of-the-art recording console [4] [5] [6] for $75,175 from the English electronics engineer Rupert Neve: [7] "One of four in the world ... a 28-input, 16-bus, 24-monitor 8028 with 1084 EQs and no ...
A Belleville washer is a type of spring shaped like a washer. It is the shape, a cone frustum , that gives the washer its characteristic spring. The "Belleville" name comes from the inventor Julien Belleville who in Dunkerque , France, in 1867 patented a spring design which already contained the principle of the disc spring.
This type of washer is especially effective as a lock washer when used with a soft substrate, such as aluminium or plastic, [8] and can resist rotation more than a plain washer on hard surfaces, as the tension between washer and the surface is applied over a much smaller area (the teeth). There are four types: internal, external, combination ...
Marcus Recording Studios - Notting Hill, London, England; Marcus Recording Studios - Fulham, London, England; The Manor Studio - Oxfordshire, England; Mayfair Studios - London, England
Studio Other Spaces (SOS) was founded by artist Olafur Eliasson and architect Sebastian Behmann in Berlin in 2014. [1] The studio works on interdisciplinary and experimental building projects and artworks for public space. [2] Eliasson and Behmann's partnership offers a platform for art and architecture to intersect and enrich each other.
During the 1970s, the "studio as instrument" concept shifted from the studio's recording space to the studio's control room, where electronic instruments could be plugged directly into the mixing console. [14] As of the 2010s, the "studio as instrument" idea remains ubiquitous in genres such as pop, hip-hop, and electronic music. [15]