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His paintings have been characterized by art critics as combining a realistic observation of the human state, both physical and emotional, with a dramatic use of lighting, which had a formative influence on Baroque painting. [2] [3] [4] Caravaggio employed close physical observation with a dramatic use of chiaroscuro that came to be known as ...
Caravaggio's first paintings on religious themes returned to realism and the emergence of remarkable spirituality. The first of these was the Penitent Magdalene, showing Mary Magdalene at the moment when she has turned from her life as a courtesan and sits weeping on the floor, her jewels scattered around her. "It seemed not a religious ...
Saint Jerome Writing (Caravaggio, Valletta) St John the Baptist at a Spring; Saint Matthew and the Angel; Salome with the Head of John the Baptist (Caravaggio, London) Salome with the Head of John the Baptist (Caravaggio, Madrid) The Seven Works of Mercy (Caravaggio) Still Life with Fruit (Caravaggio) Supper at Emmaus (Caravaggio, London)
Caravaggio's paintings also left a deep impression on Peter Paul Rubens. Among the painters influenced by Caravaggio, apart from the Utrecht Caravaggists, are Orazio Gentileschi, Artemisia Gentileschi, Bartolomeo Manfredi, Georges de la Tour, Rembrandt van Rijn, Jusepe de Ribera and Johann Ulrich Loth.
The Beheading of Saint John the Baptist is an oil painting by the Italian artist Caravaggio.Measuring 3.7 m by 5.2 m, it depicts the execution of John the Baptist.It is located in the Oratory of St. John's Co-Cathedral in Valletta, Malta.
Nativity with Saint Francis and Saint Lawrence, Caravaggio, 1609. 268 cm × 197 cm (106 in × 78 in) The Nativity with Saint Francis and Saint Lawrence is a painting of the nativity of Jesus from 1609 by Italian painter Caravaggio. It has been missing since 1969 when it was stolen from the Oratory of Saint Lawrence in Palermo.
Ecce Homo (c. 1605–1609) is a painting attributed to Michelangelo Merisi de Caravaggio.It depicts the ecce homo.The artwork was brought from Italy to Spain and given to Evaristo Pérez de Castro, who kept it in his family's collection.
The Lute Player, 1596, oil on canvas, Caravaggio. Caravaggio seems to have composed the painting from studies of two figures. [10] The central figure with the lute has been identified as Caravaggio's companion Mario Minniti, and the individual next to him and facing the viewer is possibly a self-portrait of the artist. [4]
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