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Film stock made of nitrate, acetate, or polyester bases is the traditional medium for capturing the numerous frames of a motion picture, widely used until the emergence of digital film in the late 20th century. film theory film transition film treatment filmmaking. Sometimes used interchangeably with film production.
If a non-film article already exists with the name of the film that you are trying to create an article for, disambiguate and use (film) in the title: Film Title (film). If a film article already exists with the name of the film that you are trying to create an article for, use (YEAR film) in the title: Film Title (YEAR film).
Film analysis is the process by which a film is analyzed in terms of mise-en-scène, cinematography, sound, and editing. One way of analyzing films is by shot-by-shot analysis, though that is typically used only for small clips or scenes. Film analysis is closely connected to film theory. Authors suggest various approaches to film analysis.
Pages in category "Film and video terminology" The following 200 pages are in this category, out of approximately 278 total. This list may not reflect recent changes .
Format is the name of the process; some formats may have multiple names in common usage. Creator is the individual or company most directly attributable as the developer of the system. Year created usually refers to the earliest date that the system was used to completion (i.e. projection), but may refer to when it was developed if no known ...
Chicago critic Roger Ebert (right) with director Russ Meyer. Film criticism is the analysis and evaluation of films and the film medium. In general, film criticism can be divided into two categories: Academic criticism by film scholars, who study the composition of film theory and publish their findings and essays in books and journals, and general journalistic criticism that appears regularly ...
The reaction shot is a basic unit of film grammar. A reaction shot usually implies the display of some sort of emotion on the face of the actor being shown, and is thus most commonly a close-up shot (although a group of actors may be shown reacting together). A reaction shot is also generally bereft of dialogue, though this is not an absolute ...
Through the analysis of film techniques, differences between filmmakers' styles become apparent. [2] There are many technical possibilities available to filmmakers. As a result, no single film will be made using every single technique. Historical circumstances, for example, limit the choices for the director.