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The composer Olivier Messiaen called the whole-tone scale his first mode of limited transposition. The composer and music theorist George Perle calls the whole-tone scale interval cycle 2, or C2. Since there are only two possible whole-tone-scale positions (that is, the whole-tone scale can be transposed only once), it is either C2 0 or C2 1.
List of musical scales and modes Name Image Sound Degrees Intervals Integer notation # of pitch classes Lower tetrachord Upper tetrachord Use of key signature usual or unusual ; 15 equal temperament
The blues scale is so named for its use of blue notes. Since blue notes are alternate inflections, strictly speaking there can be no one blues scale, [8] but the scale most commonly called "the blues scale" comprises the minor pentatonic scale and an additional flat 5th scale degree: C E ♭ F G ♭ G B ♭ C. [9] [10] [11]
Mikrokosmos, Volume V, No.136 "Whole-Tone Scales" Alban Berg. Violin Concerto [7] "Nacht" from Seven Early Songs [8] Hector Berlioz. Francs-Juges Overture [9] Ferruccio Busoni. An die Jugend for piano, the right hand part of the "Preludietto, Fughetta ed Esercizio" is based on the whole tone scale. [10] Frédéric Chopin
On a guitar string, it is the interval separated by two frets. In moveable-do solfège, it is the interval between do and re. It is considered a melodic step, as opposed to larger intervals called skips. Intervals composed of two semitones, such as the major second and the diminished third, are also called tones, whole tones, or whole steps.
The chord-scale system may be compared with other common methods of improvisation, first, the older traditional chord tone/chord arpeggio method, and where one scale on one root note is used throughout all chords in a progression (for example the blues scale on A for all chords of the blues progression: A 7 E 7 D 7).
Consequently, chord charts for all-fifths tunings are used for left-handed all-fourths tuning. [21] All-fifths tuning has been approximated with tunings in the Through The Looking Glass Guitar [29] of Kei Nakano, which has been played by him since 2015. This new tuning is like a mirror to all kinds of string instruments including guitar.
This scale is also known as melodic minor ♭ 2. [2] Its modes and corresponding seventh chords are: Neapolitan major; Cm M7 (add ♭ 9, 11, and 13) (Dorian mode with major seventh and minor second) leading whole-tone; D ♭ M7 ♯ 5 (add 9, ♯ 11, and ♯ 13) (Phrygian mode with major sixth and diminished unison) (whole-tone scale plus major ...
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