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To improve students 'speaking ability in reading aloud (students' reading is recorded one = aloud) especially vocal sounds (a, e and u). Broadly speaking students are given a drill of some chant models with certain dominant sounds. After practice chant, tested the ability of students in uttering certain voiced words by reading a simple sentence ...
Musicals in which recitative takes the place of spoken dialogue for all or most of the show. See also Sung-through.
Opéra comique (French: [ɔpeʁa kɔmik]; plural: opéras comiques) is a genre of French opera that contains spoken dialogue and arias.It emerged from the popular opéras comiques en vaudevilles of the Fair Theatres of St Germain and St Laurent (and to a lesser extent the Comédie-Italienne), [1] which combined existing popular tunes with spoken sections.
The Black Crook was a long-running musical on Broadway in 1866. [1]Musical theatre is a form of theatrical performance that combines songs, spoken dialogue, acting and dance.. The story and emotional content of a musical – humor, pathos, love, anger – are communicated through words, music, movement and technical aspects of the entertainment as an integrated who
Entering the 1990s, the number of original Broadway musicals dwindled, with many productions adapting movies or novels. Musicals employ songs to advance the narrative and convey the play's themes, typically accompanied by choreography. Musical productions can be visually intricate, showcasing elaborate sets and actor performances.
Operetta is a precursor of the modern musical theatre or the "musical". [12] In the early decades of the 20th century, operetta continued to exist alongside the newer musicals, with each influencing the other. The distinctive traits of operetta are found in the musical theatre works of Jerome Kern, Richard Rodgers and Stephen Sondheim. [2]
Pages in category "Teen musicals" The following 33 pages are in this category, out of 33 total. This list may not reflect recent changes. 0–9. 13 (musical)
Ballad opera has been called an "eighteenth-century protest against the Italian conquest of the London operatic scene." [2] It consists of racy and often satirical spoken (English) dialogue, interspersed with songs that are deliberately kept very short (mostly a single short stanza and refrain) to minimize disruptions to the flow of the story, which involves lower class, often criminal ...
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