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A regular act at the notable punk venue the Hot Klub in the 1980s, they are generally considered a pioneer Texas punk band, [1] [2] but have also been called “Dallas' first—and best—new wave band,” [3] and yet also "[n]either punk nor new-wave." [4] Their sound is a blend of many different styles and eras of rock and pop music.
Pages in category "American new wave songs" The following 84 pages are in this category, out of 84 total. This list may not reflect recent changes. 0–9.
British new wave songs (186 C, 82 P) Canadian new wave songs (12 C, 4 P) Danish new wave songs (2 C) ... Only Time Makes It Human; P. PoP! Goes My Heart; S. Shut Up ...
The Encyclopedia of New Wave. Sterling Publishing, 2012. ISBN 978-1-4027-8472-9; Campion, Chris (7 January 2010). Walking on the Moon: The Untold Story of the Police and the Rise of New Wave. Wiley. ISBN 9780470627839. Majewski, Lori: Bernstein, Jonathan Mad World: An Oral History of New Wave Artists and Songs That Defined the 1980s.
The 7 Best Songs of 2020 Placed [37] Billboard: The 100 Best Songs of 2020 2 [26] The 30 Best Pop Songs of 2020 Placed [38] The Top Songs of All Time 1 [39] Consequence of Sound: The Top 50 Songs of 2020 1 [40] Entertainment.ie: The 10 Best Songs of 2020 7 [41] Gaffa: The 20 Best Songs of 2020 1 [42] The Guardian: The 20 Best Songs of 2020 6 ...
"88 Lines About 44 Women" is a song by the new wave band the Nails. Initially recorded for their 1981 EP Hotel for Women , the song was re-recorded and released on the 1984 debut album Mood Swing . Along with the track "Let It All Hang Out", "88 Lines About 44 Women" peaked at number 46 on the US dance chart in March 1985.
"Once in a Lifetime" is a song by the American new wave band Talking Heads, produced and cowritten by Brian Eno. It was released in January 1981 through Sire Records as the lead single from the band's fourth studio album, Remain in Light (1980).
The following is a list of artists and bands associated with the new wave music genre during the late 1970s and early-to-mid 1980s. The list does not include acts associated with the resurgences and revivals of the genre that have occurred from the 1990s onward.