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A chord diagram may refer to: Chord diagram (music) , a diagram showing the fingering of a chord on a guitar or other fretted musical instrument Chord diagram (information visualization) , a diagram showing a many-to-many relationship between objects as curved arcs within a circle
Chord diagrams for some common chords in major-thirds tuning. In music, a chord diagram (also called a fretboard diagram or fingering diagram) is a diagram indicating the fingering of a chord on fretted string instruments, showing a schematic view of the fretboard with markings for the frets that should be pressed when playing the chord. [1]
The ChordPro (also known as Chord) format is a text-based markup language for representing chord charts by describing the position of chords in relation to the song's lyrics. ChordPro also provides markup to denote song sections (e.g., verse, chorus, bridge), song metadata (e.g., title, tempo, key), and generic annotations (i.e., notes to the ...
'sub-group of the Dalit caste, living by singing and music'), also known as Dom, Domra, Domba, Domaka, Dombara and Dombari, are castes, or groups, scattered across India. The Doma/Dom were a caste of drummers. [1] According to Tantra scriptures, the Dom were engaged in the occupations of singing and playing music. [2]
The Rhythm changes is a common 32-bar jazz chord progression derived from George Gershwin's "I Got Rhythm". The progression is in AABA form , with each A section based on repetitions of the ubiquitous I–vi–ii–V sequence (or variants such as iii–vi–ii–V), and the B section using a circle of fifths sequence based on III 7 –VI 7 ...
The vi chord before the IV chord in this progression (creating I–vi–IV–V–I) is used as a means to prolong the tonic chord, as the vi or submediant chord is commonly used as a substitute for the tonic chord, and to ease the voice leading of the bass line: in a I–vi–IV–V–I progression (without any chordal inversions) the bass ...
Musically, the song follows a minor blues structure, built mostly around three chords (i7, iv7, V7) except for the bridge (IV, VI, III, V). The lyrical theme is one typical of early rock and roll: boy meets girl, then meets girl's father, who does not approve of boy; so the boy departs, but cannot stop thinking about the girl, declaring "You're the one, you're the one, you're the one."
"Anak" became a finalist in the first MetroPop Song Festival.It went on to become very popular in the Philippines and eventually abroad. The song generated a hundred cover versions, was released in 56 countries and in 27 different foreign languages, and is claimed to have sold 30 million copies.