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The hardingfele is used mainly in the southwest part of Norway, whereas the ordinary violin (called flatfele, 'flat fiddle', or vanlig fele, 'common fiddle') is found elsewhere. The hardingfele is used for dancing, accompanied by rhythmic loud foot stomping. It was also traditional for the fiddler to lead the bridal procession to the church.
Frontpage from brochure and price list. The Helland family from Bø in Telemark is a Norwegian dynasty of Hardanger fiddle-makers who made the most significant and important contribution to the development of the Norwegian Hardanger fiddle tradition.
Knut Knutsson Steintjønndalen (22 November 1887 – 11 June 1969) was a Norwegian Hardanger fiddle maker from Bø in Telemark, Norway. [1] Before he died, Knut Eilevsson Steintjønndalen told his 15-year-old son Knut Knutsson to keep the tradition alive. Knut made his first Hardanger fiddle at age 15 and was paid approximately $1.50. 61 years ...
Knut and Gunnar outside their fiddle workshop in Chippewa Falls. Picture taken before 1920. Helland Brothers was a fiddle makers' shop in Chippewa Falls, Wisconsin, United States, 1905–1927. The workshop was founded in 1905 by the brothers Knut Gunnarsson Helland and Gunnar Gunnarsson Helland from Bø in Telemark.
This allowed him to play in the key of A, a comfortable fiddle key, when playing with diatonic accordions tuned to C & G. 173.228.28.175 01:35, 20 February 2012 (UTC) I've corrected the transposition section. The Hardanger Fiddle is actually a D instrument, not a B-flat, as Thumbdropper says.
Larsen's father played violin and Hardanger fiddle. He had emigrated from Førde , Sunnfjord , Norway and lived for many years in Fargo, North Dakota . Robert Larsen, at the age of 14, apprenticed to the Norwegian-American violin maker Gunnar Gunnarsson Helland as a repairman and a fiddle maker in Fargo from 1957 to 1965.
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The Hardanger fiddle books were published between 1958 and 1981. The editors were all traditional fiddlers who were well acquainted with the music in question. The three of them, Arne Bjørndal , Truls Ørpen and Eivind Groven , had all collected fiddle tunes in their areas, and were now asked to put their collections into print.