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The Waste Land is a poem by T. S. Eliot, widely regarded as one of the most important English-language poems of the 20th century and a central work of modernist poetry. Published in 1922, the 434-line [ A ] poem first appeared in the United Kingdom in the October issue of Eliot's magazine The Criterion and in the United States in the November ...
The land and Arthur grow sick, and his knights seek the Grail to restore both to health. Perceval wanders through the Wasteland, finally receiving a vision of the Grail and gains possession of it by answering the riddle of the secret of the Grail: Arthur and the land are one. Arthur drinks from the Grail and is restored. [2]
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Alan Stewart Paton (11 January 1903 – 12 April 1988) was a South African writer and anti-apartheid activist. His works include the novels Cry, the Beloved Country (1948), Too Late the Phalarope (1953), and the short story The Waste Land.
T. S. Eliot used it symbolically in The Waste Land (1922). Dorothy Hewett took The Chapel Perilous as the title for her autobiographical play, in which she uses "the framework of the Arthurian legend, Sir Lancelot, to create a theatrical quest of romantic and epic proportions." [2]
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He is remembered mostly widely for his 1952 essay "A New Interpretation of The Waste Land", in which he interpreted T.S. Eliot's poem as an elegy for a dead (male) friend, Jean Verdenal. At the insistence of Eliot's solicitors, it was suppressed and only republished in 1969, four years after Eliot's death.
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