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Neo-bop contains elements of bebop, post-bop, hard bop, and modal jazz. As both "neo-bop" and " post-bop " refer to eclectic mixtures of styles from the bebop and post-bebop eras, the precise differences in musical style between the two are not clearly defined from an academic standpoint.
Neo-bop as a subgenre emerged within jazz during the early 1980s. This list is derived from All Music [ 1 ] and may contain inaccuracies. In addition the source indicates most or all these musicians work in others genres as well with Post-bop and Hard bop being most common.
Neo-bop jazz: Neo-bop jazz, notably associated with Wynton Marsalis, is a comparatively accessible, "retro" genre that emerged in the 1980s as a stylistic reaction against free jazz and jazz fusion. 1980s -> Neo-swing: The name given to the renewed interest in swing music from the 1930s and 40s.
Music – art and cultural form whose medium is sound and silence. Its common elements are pitch (which governs melody and harmony), rhythm (and its associated concepts tempo, meter, and articulation), dynamics, and the sonic qualities of timbre and texture. The word derives from Greek μουσική (mousike; "art of the Muses").
The term "lala bop" has surfaced on social media and is being used primarily by teens to bully others online, leaving parents to ask: What does lala bop mean?
Hard bop is an extension of bebop (or "bop") music that incorporates influences from blues, rhythm and blues, and gospel, especially in saxophone and piano playing. Hard bop was developed in the mid-1950s, coalescing in 1953 and 1954; it developed partly in response to the vogue for cool jazz in the early 1950s and paralleled the rise of rhythm ...
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